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Faculty

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Valentin Nussbaum

 

Valentin Nussbaum

 

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E-mail: vnussbaum@ntnu.edu.tw

Position

Associate Professor, Graduate Institute of Art History, National Taiwan Normal University


Education

July 2005 Ph.D., University of Fribourg (Switzerland)
March 1999 M.A., University of Fribourg (Switzerland)

Professional Experience

Teaching

2005 - 2009 Assistant Professor, Department of Art History and Musicology, University of Fribourg

2007 - 2008 Lecturer, Ecole hoteliere de Lausanne (EHL)

2005 Lecturer, School of Design and Visual Art, Lausanne (ECAL)

1999 - 2005 Research and Teaching Assistant, Department of Art History and Musicology, University of Fribourg

Research Assistant

2008 Christie’s Paris: publication of the Yves Saint Laurent and Pierre Berge Collection’s Catalogue

2006 Department of Preservation of Historical Monuments / University of Fribourg: Publication of the 850th Anniversary of the City of Fribourg

1999-2005 Department of Art History and Musicology, Chair of Modern and Contemporary Art History: research assistant to Professor Stoichita

Membership

2004-2008 Vice President of articulations (Swiss Association of Young Scholars in Art History)

1999-2007 Member of the executive committee of the Kunsthalle / Centre d’art contemporain FRI-ART, Fribourg (Switzerland)

 

Specialized Field

Western Art of the 19th and 20th Centuries, Cinema and Photography, Portraiture and Identity (15th to 20th Centuries), Relationships between Words and Images, Forensic Imagery, Art and Crime

 

Publications

 Vendre sa peau : Le marché de l’art entre fictions et réalités ( Selling One’s Skin: Realities and Fictions of the Art Market“), in Proceedings of the Second Swiss Congress of Art History 22 -24 August 2013, 2016, (forthcoming)

 “One Cannot See the Forest from the Trees. A journey in Tsai Ming-liang’s Imaginary Landscapes”, in Lin Mun-lee and Tsai Ming-liang (eds.), Stray Dogs at The Museum – Tsai Min-liang Solo Exhibition, (exhibition catalogue), Taipei : MoNTUE, 2016, pp. 210-218

Valentin Nussbaum, “As Seen on the Screen. The Artefact and the Cinematic Gaze”, in: G. Ulrich Großmann, Petra Krutisch, and Almuth Klein (eds.), The Challenge of the Object: Proceedings of the 33rd Congress of the International Committee of the History of Art, Congress Proceedings Part. III, Nuremberg: Germanisches Nationalmuseum 2013, vol. 3, pp. 803-807

Valentin Nussbaum, “Ghost Images in Brian de Palma’s Obsession,” in: Journal of Taipei Fine Arts Museum, No. 23, 2012, pp. 79-100

Valentin Nussbaum, “Classic = Modern. Godard’s Bande à part, McTiernan’s The Thomas Crown Affair and the Question of Cinematic Modernity,” in : Shida Studies in Art History, vol.1, 2011 (forthcoming)

Valentin Nussbaum, “Le maître dérobé: chroniques de l'appropriation dans les arts visuels,” in: Christian Belin, Guy Bedouelle and Simone de Reyff (eds.), La Tradition du savoir, Fribourg: Academic Press Fribourg, 2011, pp. 345-371.

Valentin Nussbaum, “Valérie Favre,” in: SIKART Lexikon und Datenbank / Dictionnaire et base de données, Zürich and Lausanne: Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA), 2011.

Valentin Nussbaum, “James Ensor. Le Désespoir de Pierrot ou Pierrot jaloux, cat. n° 17 ,” in: Christie’s (ed.),Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 68-74 & pp. 230-231.

Valentin Nussbaum, “Pablo Picasso. Poulet, verre, couteau et bouteille cat. n° 32,” in: Christie’s (ed.),Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 108-111 & p. 32.

Valentin Nussbaum, “Alexander Calder. Dancers and Sphere, cat. n°41,” in: Christie’s (ed.), Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 148-151 & pp. 244-245.

Valentin Nussbaum, “Fernand Léger. Ballet mécanique, cat. n° 49,” in: Christie’s (ed.), Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, p. 173 & p. 252.

Valentin Nussbaum, “Giorgio de Chirico. Il Ritornante, cat. n°57, in: Christie’s (ed.), Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 204-207 & pp. 261-262.

Valentin Nussbaum, “Paul Klee. Sollte steigen, cat. n°58, in: Christie’s (ed.), Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 210-211 & p. 263.

Valentin Nussbaum, “Paul Klee. Gartenfigur, cat. n°61, in: Christie’s (ed.), Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, Christie’s, 2009, pp. 214-215 & p. 264.

Valentin Nussbaum, “Serial Künstler. Portrait of the Artist as a Malefactor,” in:  Charlotte Schoell-Glass and Catriona McLeod (eds.), Elective Affinities, Testing Word & Image Relationships. Word & Image Interactions 6, Amsterdam and Atlanta : Rodopi, 2009, pp. 205-219

Valentin Nussbaum, “Wim et la sacrée reliquerie. Enfance de l’art et reliques du sacré dans l’oeuvre de Delvoye,” in: Kritische Berichte, Vol. 36, No. 3, 2008, pp. 83-92.

Valentin Nussbaum, “Places, parcs et jardins publics,” in: Francis Python (ed.), Fribourg une ville aux XIXe et XXe siècles / Freiburg eine Stadt im 19. und 20. Jahrhundert, Fribourg : Editions de la Sarine, 2007, pp. 277-294.

Valentin Nussbaum, “L’aura de Laura. L’écho du portrait idéal au cinéma,” in: Agostino Paravicini Bagliani, Jean-Michel Spieser, Jean Wirth (eds.), Le portrait. La représentation de l’individu, Micrologus’ Library, Vol. 17, 2007, pp. 183-204.

Valentin Nussbaum, “Der imaginäre Mord,” in: Christina Bacher (ed.), Art in Crime. Kalender für Kriminalliteratur 2007, Münster: Daedalus Verlag, 2006, pp. 30-36.

Valentin Nussbaum, “A l’ombre de portraits en fleurs. Symbolisme et troubles de l’identité de Whistler à Hitchcock,” in: Claus Clüver, Véronique Plesch, Leo H. Hoek (eds.), Orientations. Space Time / Image / Word. Word & Image Interactions 5, Amsterdam and Atlanta: Rodopi, 2005, pp. 37-50.

Valentin Nussbaum, “Giovanni Lanfranco, Ritratto della famiglia del pittore (cat. n°42),” in: Omar Calabrese, Claudio Strinati (eds.),  Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p. 120), p. 175.

Valentin Nussbaum, “David Teniers il Giovane, L’artista e la sua famiglia (cat. n°44),” in: Omar Calabrese, Claudio Strinati (eds.),  Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p. 122), p. 176.

Valentin Nussbaum, “Antonio Domenico Gabbiani, Trio di musici del Gran Principe Ferdinando con servitore nero (cat. n°46),” in: Omar Calabrese, Claudio Strinati (eds.), Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p. 124), p. 177.

Valentin Nussbaum, “Jacques Autreau, I bevitori di vino (cat. n°48),” in: Omar Calabrese, Claudio Strinati (eds.),Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p. 126), p. 177.

Valentin Nussbaum, “Francesco Hayez, Autoritrato con gruppo di amici (cat. n°49),” in: Omar Calabrese, Claudio Strinati (eds.), Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p. 127), p. 178.

Valentin Nussbaum, “Jean Béraud, La Madeleine chez le Pharisien (cat. n°50),” in: Omar Calabrese, Claudio Strinati (eds.), Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, (ill. p.128), p. 178.

Valentin Nussbaum, “David Davidovic Burljuk, Ritratto di Christian Brinton e di nove amici artisti (cat. n°52),”in: Omar Calabrese, Claudio Strinati (eds.), Persone Ritratti di gruppo da Van Dyck a de Chirico, Milano: Silvana Editoriale, 2003, p. 179.

Valentin Nussbaum, “Naming the Subject. Time and Identification in Portraiture, in: Antoinette Roesler-Friedenthal, Johannes Nathan (eds.), The Enduring Instant. Time and the Spectator in the Visual Arts / Der bleibende Augenblick. Betrachterzeit in den Bildkünsten, Berlin: Gebr. Mann Verlag, 2003, pp. 270-283.

Valentin Nussbaum, “Valdès Leal : les Hiéroglyphes des Fins Dernières de l'église de la Santa Caridad à Séville,” in: Revue roumaine d'histoire de l'art (Série Beaux-Arts), Vol. 33, 1996 (1999), pp. 49-66.

 

Conferences

Speech

Valentin Nussbaum, “Cinematic! How Movies have changed the Vision of Art”, Kaohsiung First University of Science and Technology, Kaohsiung, June 3, 2011

Valentin Nussbaum, “Renaissance de façade. Treacherous Survival in Brian de Palma’s Obsession”, Eurotrash? Modern Simulacra of Renaissance Art, March 18, 2011, Zurich (International Conference organized by Dartmouth College and the University of Zurich)

Valentin Nussbaum, “L’art c’est le vol. L’originalité au défi de l’appropriation”, 1st Swiss Conference in Art History, September 2-4, 2010, Bern, (Conference organized by the Swiss Association of Art Historians (VKKS / ASHHA) and the University of Bern)

Valentin Nussbaum, “Classic = Modern. Questioning Cinematic Modernity”, International Conference Agent of Modernity, March 27, 2010, Taipei (Conference organized by GIAH, National Taiwan Normal University)

Valentin Nussbaum, “Holy Business. Art and Transit of Value”, Kaohsiung First University of Science and Technology, Kaohsiung, March 18, 2010

Valentin Nussbaum, “Cinema Connection. Reflections on Art History, Museums and Movies”, Taiwan Art Historian Forum, November 27, 2009, Taipei (Conference organized by GIAH, National Taiwan Normal University, Taipei)

Valentin Nussbaum, “Le maître dérobé. Chroniques de l’appropriation dans le milieu artistique”, International Conference La tradition du savoir: le maître et le disciple (ou l’élève), University of Fribourg, April 19, 2008

Valentin Nussbaum, “Wim et la sacrée reliquerie. Réflexions sur le sacré dans l’oeuvre de Wim Delvoye”, Conference Reste, University of Bern, December 7, 2007

Valentin Nussbaum, “Modus operandi. Eléments d’enquête sur la poétique indicielle contemporaine”, Conference The Making Of…Gesture and Signature in the Art after 1950, University of Bern, February 11, 2006

Valentin Nussbaum, “Le titre à l’oeuvre”, Conference History of Titles, University of Fribourg, January 9, 2006

Valentin Nussbaum, Serial Künstler. Portrait of the Rtist as a Malefactor”, 7th International IAWIS Word & Image Conference, Philadelphia, Session: Artist and the Art World in Fiction, Penn University, Philadelphia, September 27, 2005

Valentin Nussbaum, “Identité / altérité: quand l’un (ou l’une) est l’autre”, Exhibition Double Consciousness, Kunsthalle / Centre d’art contemporain, FRI-ART, Fribourg, May 23, 2005

Valentin Nussbaum, “A Likeness of Artistic Identity: Fra Filippo Lippi and Vasari’s Lives”, Annual Conference Meeting of the Renaissance Society of America, Session: - Socializing the Individual: Aspects of Renaissance Portraiture, Cambridge (UK), April 9, 2005

Valentin Nussbaum, “L’aura de Laura. Les paradoxes du portrait au cinéma”, Conference 3ème cycle romand de Lettres: Le portrait: la représentation de l’individu, University of Geneva, December 3, 2004

Valentin Nussbaum, “Serial Künstler. Portrait de l’artiste en malfaiteur”, Interdisciplinary Conference Art & Crime, University of Fribourg, September 25, 2004

Valentin Nussbaum, “A fleur d’identité: le portrait refiguré chez Whistler et consorts”, 7th Swiss Young Scholars in Art History Conference, University of Neuchâtel, November 8, 2003

Valentin Nussbaum, “A l’ombre des portraits en fleurs. Fin de siècle et trouble de l’identité”, 6th International IAWIS Word & Image Conference, Session: - Word and Image in History and Historiography: Perspectives, University of Hamburg, July 22, 2002

Valentin Nussbaum, “Autant en importe le nom, autant en emporte le temps: l’intitulation du portrait”, 30thCIHA Conference, Session: Look, See, Behold: The Spectator’s Time, London, September 7, 2000

Valentin Nussbaum, “Tableau, que me veux-tu?”, 3rd Swiss Young Scholars in Art History Conference, University of Zurich, May 8, 1999

 

Conference organization

2008 Organization of the 12th conference of the Swiss Young Art Historians University of Fribourg (October 17-18, 2008)

2004 Organization of the interdisciplinary conference Art & Crime, University of Fribourg, (September 25, 2004)

2001 Organization of the 5th conference of the Swiss Young Art Historians, University of Fribourg, (May 11-12, 2001)

 

Research Projects

Corpus Delicti. Cinematographic Imagery and Forensic Unconscious NTNU Project: No. 98091047 (1 January 2010 – 31 March 2011)

The Forensic Gaze. Cinematographic Close-Up and Evidentiary Paradigm NSC Project: No. NSC99-2410-H003-153 (99B0579) (1 September 2010 – 31 December 2011)

Detection at Work. Cinematic Representations of Forensic Quests NSC (National Science Council, Taiwan) Project: No. NSC 101-2410-H-003-060 (100WFA0300440) (1 August 2012 – 31 December 2013)



Awards, Honors, and Grants

2005 Senior Prize of the Richterich Foundation and the Swiss Association of Art Historians (VKKS / ASHHA)
2000 Prize of the Faculty of Arts (University of Fribourg, Switzerland) for the MA Thesis

 

 

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