{"id":11518,"date":"2024-01-29T17:29:05","date_gmt":"2024-01-29T09:29:05","guid":{"rendered":"https:\/\/arthistory.ntnu.edu.tw\/?page_id=11518"},"modified":"2025-09-22T11:52:19","modified_gmt":"2025-09-22T03:52:19","slug":"thesistopic","status":"publish","type":"page","link":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/thesistopic\/","title":{"rendered":"\u6b77\u5c46\u8ad6\u6587"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAcademic Year 2021\/22 - Now<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Academic Year 2024\/25 (Fall 2024-Spring 2025)<\/h2><\/td><\/tr>

Student<\/h2><\/td>

Advisor<\/h2><\/td>

Thesis Topic<\/strong><\/h2><\/td>

Link<\/h2><\/td><\/tr>

Cao Jiu<\/td>Tseng Su-Liang<\/td>A Study of the Socio-Cultural Foundations, Definition, and Misattribution of the Liao Paintings<\/td>Click Here<\/a><\/td><\/tr>
Hsu Wen-Chun<\/td>Tseng Su-Liang<\/td>A Study of Yue Ware Boxes from the Tang and Song Dynasties: Based on Form and Decoration<\/td>Click Here<\/a><\/td><\/tr>
Xi Wang<\/td>Tseng Su-Liang<\/td>A Study of Fish Pattern and Decoration of Porcelain from the Song to Yuan Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Liao Tsu-Hui<\/td>Tseng Su-Liang<\/td>A study of Appraisal of the Calligraphy by Yu, You Ren\u2014Based on Calligraphy Works of Exhibitions in Taiwan<\/td>Click Here<\/a><\/td><\/tr>
Yu Fong-Sian<\/td>Candida Syndikus<\/td>Connections and Flows: The Cross-Cultural Narratives in Shiota Chiharu\u2019s Works<\/td>Click Here<\/a><\/td><\/tr>
\u00a0<\/td>Candida Syndikus<\/td>Connections and Flows: The Cross-Cultural Narratives in Shiota Chiharu\u2019s Works<\/td>Click Here<\/a><\/td><\/tr>
Ou Mei-Shao<\/td>Candida Syndikus<\/td>The Chapel of St. Joseph at Kung-Tung Technical Senior High School in Tai-Tung\u2014Spiritual Meaning and Lighting Strategies in a Modernist Liturgical Space<\/td>Click Here<\/a><\/td><\/tr>
Shen Yun-Ting<\/td>Valentin Nussbaum<\/td>\u00a0<\/td>\u00a0<\/td><\/tr>
Shiu Rung-Shiuan<\/td>Tseng Su-Liang<\/td>A Study of Fish-dragon Pattern in Liao and Jin Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Wu You-Wei<\/td>Fukuda Miho<\/td>The Innovation of Women\u2019s Living Spaces in the Early Showa Period: The Music Room of the Dojunkai Otsuka Women\u2019s Apartment<\/td>Click Here<\/a><\/td><\/tr>
Yu Hsin-Tzu<\/td>Valentin Nussbaum<\/td>Arcadian Reminiscences in Jean-Baptiste-Camille Corot\u2019s Landscape Paintings<\/td>Click Here<\/a><\/td><\/tr>
Chen Hsin-Hsiang<\/td>Chiu Shih-hua<\/td>Landscape Paintings with Folk Customs by Scholar-court Officials of the Jiaqing Reign (1796-1820): Take Dong Gao (1740-1818) as an Example<\/td>Click Here<\/a><\/td><\/tr>
Cheng Hsin-Tien<\/td>Candida Syndikus<\/td>The Holy Family in the Work of Charles Le Brun: A Religious Theme in Seventeenth-Century France<\/td>Click Here<\/a><\/td><\/tr><\/tbody><\/table>

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Academic Year 2023\/24 (Fall 2023-Spring 2024)<\/h2><\/td><\/tr>

Student<\/td>Advisor<\/td>Thesis Topic<\/strong><\/td>Link<\/td><\/tr>
Deng, Qin-Yue<\/td>Valentin Nussbaum<\/td>Exploring Factuality within Fictionality in the Movie Never Look Away<\/td>Click Here<\/a><\/td><\/tr>
Chen, Li-Jen<\/td>Candida Syndikus<\/td>Richard Lin Show Yu\u2019s Painting Relief<\/td>Click Here<\/a><\/td><\/tr>
Huang Mu-Ning<\/td>Candida Syndikus<\/td>The Double in the Paintings of Kees Goudzwaard: Studies on Creative Process and Form<\/td>Click Here<\/a><\/td><\/tr>
Liu Yu-han<\/td>Candida Syndikus<\/td>International Modernism in Post-War Taiwan: The Center for American Studies at Academia Sinica in Taipei<\/td>Click Here<\/a><\/td><\/tr>
Zhu Yue- Zhong<\/td>Tseng Su-Liang
Wang Chong-Ci<\/td>		A Study of Calligraphy of Chiu Yuehhsiu in Qing Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Chang Han-Yun<\/td>Tseng Su-Liang<\/td>A Study of Christian Subject Porcelain from the 16th to the 19th Century<\/td>Click Here<\/a><\/td><\/tr>
Hong Hao-Yu<\/td>Tseng Su-Liang<\/td>The Study of the Pop Art Phenomenon in Taiwan(1963-2024)<\/td>Click Here<\/a><\/td><\/tr>
Li Yi-Chun<\/td>Wang Wei-Chou<\/td>Symbolizing \u2018Representing China\u2019: Architecture and characterization from the Nationalist Government to the Era of Chiang Kai-shek (1920s\u20131970s)<\/td>Click Here<\/a><\/td><\/tr>
Chang Ming-Yueh<\/td>Tsai Chia-Chiu<\/td>The Study of Painting Education for Indigenous Children in Taiwan: Focusing on Ran In-Ting\u2019s \u201d Art Textbook for Education\u201d,1935<\/td>Click Here<\/a><\/td><\/tr>
Sun Yue<\/td>Lin Li-Chiang<\/td>The Narrative, Composition and Sketches Study of the Lotus Sutra Frontispieces in the Southern Song Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Chi Mu-Ni<\/td>Lin Li-Chiang<\/td>The Study of the Murals of the Baoen Jingbian on the West Wall in the Kaihua Temple of the Northern Song Dynasty<\/td>Click Here<\/a><\/td><\/tr><\/tbody><\/table>

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Academic Year 2022\/23 (Fall 2022-Spring 2023)<\/h2><\/td><\/tr>

Student<\/td>Advisor<\/td>Thesis Topic<\/strong><\/td>Link<\/td><\/tr>
Chang Yu-Ming<\/td>Tsai Chia-Chiu<\/td>A Study on the Income and Expenditure and Art Market of Taiwanese Western Painters in Japanese Colonial Period<\/td>Click Here<\/a><\/td><\/tr>
Hsu Chao-Shang<\/td>Valentin Nussbaum<\/td>More than Staffage: Reconsidering the Meaning and Function of Hubert Robert\u2019s Figures in Ruins<\/td>Click Here<\/a><\/td><\/tr>
Lin Ping<\/td>Valentin Nussbaum<\/td>The Untold Imagery of Family Portraits: Fiction and Reality in Andreas M\u00fche\u2019s Mischpoche<\/td>Click Here<\/a><\/td><\/tr>
Ko Men-Tso<\/td>Tseng Su-Liang<\/td>A Study of Horse Figures in the Han Dynasty\u2013Based on the Figures of Pottery, Bronze, and Wood<\/td>Click Here<\/a><\/td><\/tr>
Wang Kai-Li<\/td>Valentin Nussbaum<\/td>Reconsidering the Scope and Significance of the Still Life Genre in Wolfgang Tillmans\u2019s Work<\/td>Click Here<\/a><\/td><\/tr>
Zhang Yi-Huai<\/td>Tseng Su-Liang<\/td>A Study of Wuyuezhenxingtu Pattern in mid-late Ming Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Yu Tsai-Hsuan<\/td>Valentin Nussbaum<\/td>A Study on Playfulness: Li Yuan-chia\u2019s Concept of Toyart<\/td>Click Here<\/a><\/td><\/tr>
Lin Hsin-Yi<\/td>Valentin Nussbaum<\/td>The Artist in His Studio by Fran\u00e7ois Boucher and Jean-Baptiste Marie Pierre: An Approach to Pendant Paintings and the Paragone Debates<\/td>Click Here<\/a><\/td><\/tr><\/tbody><\/table>

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Academic Year 2021\/22 (Fall 2021-Spring 2022)<\/h2><\/td><\/tr>

Student<\/h2><\/td>

Advisor<\/strong><\/td>

Thesis Topic<\/h2><\/td>

Link<\/h2><\/td><\/tr>

Lei Hao-Tien<\/td>Tseng Su-Liang<\/td>The Study of Marbled Ware in the Tang and Song Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Lu Guan-Zhen<\/td>Lin Li-Chiang<\/td>The Study of \u201cNymph of the Luo River\u201d Handscroll in the Palace Museum Collection: The Evolution and Fusion of Narrative Painting Tradition in the Song Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Yeh Ssu-Yu<\/td>Tsai Chia-Chiu<\/td>The Intersection of Taiwanese Fine Arts, Design, and Bauhaus: Using Yen Shui-long\u2019s Creation and Teaching as a Case Study<\/td>Click Here<\/a><\/td><\/tr>
Lo Yun-Ting<\/td>Lin Li-Chiang<\/td>The Study of the Imperial Portraits in Chang Sheng-wen\u2019s Long Roll of Buddhist Images<\/td>Click Here<\/a><\/td><\/tr>
Hsu Ding-Yun<\/td>Lai Yu-Chih<\/td>From Qiu Ying to the \u201cTwo Zhao\u201d\uff1aA Study of the \u201cTwo Zhao\u201d of \u201cSuzhou Fakes\u201d Based on Shanglin Park Paintings<\/td>Click Here<\/a><\/td><\/tr>
Chen Ya-Chen<\/td>Lin Li-Chiang<\/td>A Study on the Woodblock Illustrations of \u201cJian Deng Yu Hua\u201d Published in Fujian during Early Ming Dynasty<\/td>Click Here<\/a><\/td><\/tr>
Ho Chiang-Chaing<\/td>Valentin Nussbaum<\/td>Intertextuality in Edward Yang\u2019s Cinema: Authorship and Intention Reconsidered<\/td>Click Here<\/a><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAcademic Year 2011\/12 - Academic Year 2020\/21 (2011\/8\/1 - 2021\/7\/31)<\/a>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t

Academic Year 2020\/21 (Fall 2020-Spring 2021)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Lai Yi-Ju<\/p><\/td>

Chang Sheng-Ching<\/p><\/td>

The Case of East Gate Circle Plaza in Hsinchu City, Combining of East Gate and Modern City Space during the Japanese ruling period<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Yu Ruen-Ya<\/p><\/td>

Huang Chi-hui<\/p><\/td>

The Development, Inheritance and Localization of Modern Japanese Painting in Tamsui: A Study on Kinoshita Seigai and Chen, Ching-Hui<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Wei Meng-Yu<\/p><\/td>

Fukuda Miho<\/p><\/td>

The design philosophies of Meiji-Era Japanese garden history pioneer Keijiro Ozawa<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Kuo Pei-shan<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

The Study of the\u201cAlbum of paintings after Tang Poems\u201dby Lu Zhi<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chen Ying-Chun<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

The Concept of \u201cJigu\u201d and Fine Arts Collection from the Late Ming Dynasty to the Qing Dynasty: Focusing on the \u201cTang Song Yuan Minghua Daguan Ce\u201d<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Li Xin<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

A Study of the Handscroll Tao Yuanming\u2019s Home Again by Ma Shi, Li Zai and Xia Zhi<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

\u00a0\u00a0<\/strong>Academic Year 2019\/20 (Fall 2019-Spring 2020)<\/strong><\/h2>
\u00a0<\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Sara Aroca<\/p><\/td>

Hugh Hudson<\/p><\/td>

A Study of Infrared Imaging of Van Eyck Group Panel Paintings<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Zhang Mo<\/p><\/td>

Lin, Li-Chiang<\/p><\/td>

Relishing Confucian Canon: A Study on the Woodblock Illustrations in Qishier Chao Renwu Yanyi<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Huang Yao-Yi<\/p><\/td>

Candida Syndikus<\/p><\/td>

Building National Taiwan Museum (1915)- Perspectives on the West in Taiwan under Japanese Rule<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Jiang Tsai-Pin<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

The Study of \u201cLandscapes of the Four Seasons\u201d painting in the Hikone Castle Museum Collection: Unfolding the Development of Historical Figure Paintings of the Four Seasons in the Ming Dynasty<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Liu Chi-Yu<\/p><\/td>

Tsai Chia-Chiu<\/p><\/td>

Art Collection of Taiwan Grand Shrine: Acquisition, Display, Cruise<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Tong Kai-Cheung<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

Research of Four Seasons Landscape Handscroll Paintings in Ming Dynasty<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chen Wei-Ting<\/p><\/td>

Huang Chi-Hui<\/p><\/td>

The Development of Japanese and Taiwanese Natural History Painting in Modern Times and Tateishi Tetsuomi (1905-1980)\u2019s \u201cMiniatures\u201d<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

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Academic Year 2018\/19 (Fall 2018-Spring 2019)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Chu Yu-Lin<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

The Study of the Narrative Decoration on the Gold and Silver Ware in the Song Dynasty (960-1279 A.D.)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Wang Lo-Ya<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Allegory of Sight: Multiplicity and Complexity in Majewski\u2019s The Mill and The Cross<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chang Chun-Chun<\/p><\/td>

Candida Syndikus<\/p><\/td>

Whose Cultural Identity? Michael Graves\u2019 Architectural Collage and the National Museum of Prehistory at Taitung<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Jan Pei-Yu<\/p><\/td>

Fukuda Miho<\/p><\/td>

Architecture of Chinese folk religion in Japan: Transformation of the Hall of Village Deity(Dojin dou)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Lin Yan-Jun<\/p><\/td>

Lai Yu-Chih<\/p><\/td>

\u201cThe Grand Review\u201d and Its Relevant Studies in the Qianlong Court<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Hsu Shih-Min<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

A Study on Liu Suming\u2018s Achievement and the Woodblock Illustration Making in Late Ming Dynasty (17th Century)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Li Tzu-Hsuan<\/p><\/td>

Candida Syndikus<\/p><\/td>

The Gates of National Taiwan Normal University\u2014Historical Development and Architectural Significance<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Huang Hsin-Ping<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

A Study on the Woodblock Illustrations in Twenty-Chapter Edition of The Three Sui Quash the Demons\u2019 Revolt<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

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Academic Year 2017\/18 (Fall 2017-Spring 2018)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Su Ya-Fen<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

A Study on Jiang Tingxi\u2019s Picked Beauties of Beautiful Flowers<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Liu Chia-Ming<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

The Fortune-telling Images: A Study of Narrative Technique and Iconography of Tianzhu lingqian<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Huang Jui-Wen<\/p><\/td>

Hsu Ya-Hwei
Tseng Su-Liang<\/p><\/td>

Reproducing Images of Ancient Bronzes in the Early 20th Century: Rong Geng\u2019s Catalogue of Ritual Bronze Objects in the Wuying Palace<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Shia Victoria<\/p><\/td>

Candida Syndikus<\/p><\/td>

Ruins in Arcadia Studies on Thomas Cole\u2019s Italian Landscapes<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Liu Yun-Feng<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

The Study of the Monastery\u2019s Chigo(\u7a1a\u5150) and Nursing Woman in Bunkacho\u2019s(\u6587\u5316\u5e81) Edition of the \u201cShuhanron Emaki\u201d(\u9152\u98ef\u8ad6\u7d75\u5dfb)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chang Tai-Ming<\/p><\/td>

Candida Syndikus<\/p><\/td>

The Narrative of John Tenniel\u2019s Illustrations to Alice Adventures in Wonderland<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chiu Tzu-Han<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

A Study of deer motif as an auspicious symbol from its representation in Chinese export blue and white porcelain during the Late Ming Dynasty<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chang Chia-Lung<\/p><\/td>

Huang Lan-Shiang<\/p><\/td>

Space intertwined with the concepts of health: Architectural study of the Taihoku Hospital in Japanese Colonial Period<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Lai Chia-Wei<\/p><\/td>

Lai Yu-Chih<\/p><\/td>

A Study on \u201cThe Collected Essentials of Ink-making Methods\u201d (Mo fa ji yao tu shuo) by Xu Yang (1712-1779)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

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Academic Year 2016\/17 (Fall 2016-Spring 2017)<\/strong><\/h2><\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Liu An-Ni<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

A Study on Qi Baishi\u2019s Bird-and-flower Paintings<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Lin Chia-Yu<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

New Style of the Shanghai Painting School in the First Part of the 20th Century\u2014A Study of the Ink Paintings by Tao Leng Yue<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Tsao Yung-Ching<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

High Tension: Aestheticizing Drama in Sir William Quiller Orchardson\u2019s The First Cloud<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chen Li-Ting<\/p><\/td>

Tzeng Shai-Shu<\/p><\/td>

Plant Motifs in the Formation of Charles Rennie Mackintosh\u2019s Architectural Ornament<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Lee Nian-Chieh<\/p><\/td>

Tzeng Shai-Shu<\/p><\/td>

The Study on the Western Origin of Taipei Park\u2019s Design and its Spatial Construct During the Japanese Colonial Period<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Hu Hsin-Yueh<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Images in Transition: Redefining the Illustrated Book in Badauderies Parisiennes\u2014Les Rassemblements<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Ku Yi-Chieh<\/p><\/td>

Tsai Chia-Chiu<\/p><\/td>

The Study of Chen Cheng-Po\u2019s Nude Painting<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Sun Yung-Chen<\/p><\/td>

Tzeng Shai-Shu<\/p><\/td>

Melancholia Reimagined: Iconography and Paintings in Lars von Trier\u2019s Melancholia (2011)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

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Academic Year 2015\/16 (Fall 2015-Spring 2016)<\/strong><\/h2><\/td><\/tr>

Student<\/p><\/td>

Advisor<\/p><\/td>

Thesis Topic<\/strong><\/p><\/td>

Link<\/p><\/td><\/tr>

Karen nsignares<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

An Artist Witnessing the Concentration Camps: Testimony and Artistic Expression in the Works of Jan Komski<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Huang Shu-Lin<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Sherlock Holmes Incarnate: Sidney Paget\u2019s Holmesian Illustrations for the Strand Magazine<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chuang Min-Chuan<\/p><\/td>

Lin, Li-Chiang<\/p><\/td>

The Study of You Chiu\u2019s Figure Paintings<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Yen Tzu-Hsuan<\/p><\/td>

Wang, Cheng-Hua<\/p><\/td>

A Study on Yuan Jiang\u2019s Chieh-hua: Focusing on the Multipaneled Screen Paintings<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Lien Zi-xuan<\/p><\/td>

Tzeng, Shai-Shu<\/p><\/td>

The Paintings of Inside-Painted Snuff Bottles in the Qing Dynasty<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Chang Han-Hsin<\/p><\/td>

Wang, Cheng-Hua<\/p><\/td>

Wen Boren\u2019s Eighteen Scenes of Jinling: Shaping the Images of Nanjing<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Huang Sheng-Fei<\/p><\/td>

Tzeng, Shai-Shu<\/p><\/td>

A Study of Pattern of \u201cLotus Pond with Birds\u201d on the Blue and White Porcelain in the Yuan Dynasty<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Tu Elmer<\/p><\/td>

Candida Syndikus<\/p><\/td>

Hans Memling\u2019s Tanners\u2019 Altarpiece Iconography, Pictorial Space and Narrative Structure<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr>

Li Deih-yi<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Fl\u00e2nerie and the Phantasmagoria in Jacques Tati\u2019s Playtime (1967)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table>

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Academic Year 2014\/15 (Fall 2014-Spring 2015)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td><\/tr>

Lu Lu-Yen<\/p><\/td>

Candida Syndikus<\/p><\/td>

Auf welsche Manier: The Reception of Italian Architecture at the Neue Bau in Augsburg (1614)<\/p><\/td>

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Chang Yun<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

Wang Yuanqi\u2019s\u00a0Ten Views of West Lake: Topographic Landscapes in the Orthodox School of the Early Qing Dynasty and Their Political Significances<\/p><\/td>

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Jan Nai-Yu<\/p><\/td>

Candida Syndikus<\/p><\/td>

Gustave Caillebotte\u2019s Paintings in 1875\u201377 and the Works\u2019 Artistic Reception<\/p><\/td>

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Huang Tzu-En<\/p><\/td>

Fukuda Miho<\/p><\/td>

Huizong\u2019s Extended Prosperity Palace : through the analysis of Qu Yan<\/p><\/td>

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Fan Jhan-Ling<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

The Study of \u201cMother and Child\u201d Motif on Painted Enamels at the Ch\u2019ing Court in the Reign of Qianlong<\/p><\/td>

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Chen Chi-Yin<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Mind Mapping and Storyboarding in Christopher Nolan\u2019s Memento (2000)<\/p><\/td>

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Chueh Yu-Tung<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

The Study of Chang Mang-Cheng \u201cChinglou yunyu\u201d<\/p><\/td>

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Basan Kuberlinov<\/p><\/td>

Candida Syndikus<\/p><\/td>

The House of Soviets in Elista: Russian Constructivism and the Process of the Construction of Socialist Society<\/p><\/td>

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Wu Chia-Yen<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

Dong Bangda and Topographic Landscapes of Qianlong Inspection Tours: Focusing on the Paintings of Mount Pan<\/p><\/td>

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Yang Li-Ying<\/p><\/td>

Huang Lang-Siang<\/p><\/td>

The Impact of Central Axial Disposition on Campus Planning among High Educational Institution after Postwar Taiwan\uff1aThe Preliminary Research on Forming the Paradigm<\/p><\/td>

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Wu Pin-Hui<\/p><\/td>

Candida Syndikus<\/p><\/td>

Between Nature and Religion: Titian\u2019s First Essay in Colour by William Dyce<\/p><\/td>

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Lin Wen-Yin<\/p><\/td>

Fukuda Miho<\/p><\/td>

The Ritual Space in the Heian Palace during the Heian Period: A Study on the Ritual Book Jogan Gishiki<\/p><\/td>

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\u00a0<\/strong><\/p>

\u00a0<\/strong><\/p>

Academic Year 2013\/14 (Fall 2013-Spring 2014)<\/strong><\/h2><\/td><\/tr>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td><\/tr>

Wu Fu-An<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

The Time Machine and the Deconstruction of Time in Cindy Sherman\u2019s History Portraits and Yasumasa Morimura\u2019s Art History<\/p><\/td>

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Huang Ping-Hsun<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

A Study of Battle-Pieces by Laing Yu-Ming before 1949<\/p><\/td>

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Wang Ming-Yu<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

The Album of Momiao zhulin and the Codification of Han Cultural Tradition at the court of the Early Qianlong Period<\/p><\/td>

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\u00a0<\/strong><\/p>

\u00a0<\/strong><\/p>

Academic Year 2012\/13 (Fall 2012-Spring 2013)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td><\/tr>

Tung Peng<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

The Study of Jiao Bingzhen\u2019s Gentlewoman Paintings<\/p><\/td>

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Wu I-Hsiu<\/p><\/td>

Fukuda Miho<\/p><\/td>

Differences of Pagodas Between North and South China from 5th to 6th Century with a Focus on \u201cCh\u2019a\u201d<\/p><\/td>

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Wu Wen-Wei<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Research on The New City of Feng in National Palace Museum<\/p><\/td>

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Cheng Ting-Ting<\/p><\/td>

Lin Li-Chiang<\/p><\/td>

A Study on the Woodblock Illustrations in Shilin Jushi\u2019s Edition of Peony Pavilion<\/p><\/td>

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Lin Ya-Wen<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

A Fellowship of Pictorial Dialogue: Maurice Denis\u2019 Hommage \u00e0 C\u00e9zanne<\/p><\/td>

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Hsieh Pei-Chun<\/p><\/td>

Valentin Nussbaum<\/p><\/td>

Fantastic Picture: Jeff Wall\u2019s Art of Hesitation<\/p><\/td>

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Huang Chin-Chia<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

The Black-glazed Tea Bowls of the Jiang-Yang Ware in the Song Dynasty<\/p><\/td>

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Huang Hsin-I<\/p><\/td>

Wang Cheng-Hua<\/p><\/td>

Jin Kun\u2019s Poetic Thoughts on Birds: Political Intentions and the Self-Presentation of Prince Bao (Hongli)<\/p><\/td>

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\u00a0<\/strong><\/p>

\u00a0<\/strong><\/p>

Academic Year 2011\/12 (Fall 2011-Spring 2012)<\/h2><\/td><\/tr>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td>

Student<\/p><\/td><\/tr>

Wang Ming-Yen<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

A Study on Ornament of Blue and White Porcelains of the Joseon Royal Kiln in the 15th and 16th Century<\/p><\/td>

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Hsiao Yi-Shan<\/p><\/td>

Tseng Su-Liang<\/p><\/td>

Formosa, Flowers and Scenery\u2013A Study of the \u201cPictures of famous flowers of Taiwan\u201d and the \u201cTwelve pictures of Taipei famous places\u201d by Gobara Koto (1887-1965)<\/p><\/td>

Click Here<\/a><\/p><\/td><\/tr><\/tbody><\/table><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Academic Year 2021\/22 – Now Academic Year 2024\/25 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-11518","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/11518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=11518"}],"version-history":[{"count":394,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/11518\/revisions"}],"predecessor-version":[{"id":15589,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/11518\/revisions\/15589"}],"wp:attachment":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=11518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}