{"id":13541,"date":"2024-07-04T14:02:27","date_gmt":"2024-07-04T06:02:27","guid":{"rendered":"https:\/\/arthistory.ntnu.edu.tw\/?page_id=13541"},"modified":"2025-09-19T16:55:29","modified_gmt":"2025-09-19T08:55:29","slug":"prof-candida-syndikscv","status":"publish","type":"page","link":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/prof-candida-syndikscv\/","title":{"rendered":"Prof. Candida Syndiks"},"content":{"rendered":"\t\t
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CURRICULUM VITAE \u7c21\u6b77\u8868\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Candida Syndikus \u8f9b\u8482\u5eab\u7d72
Ph.D., M.A.
Cavaliere della Stella d\u2019Italia (Knight of the Star of Italy)
syndikus@ntnu.edu.tw<\/a><\/span><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Current Position <\/span><\/span>\u73fe\u8077<\/span><\/span>
<\/span><\/strong>Professor, Graduate Institute of Art History,National Taiwan Normal University
\u570b\u7acb\u81fa\u7063\u5e2b\u7bc4\u5927\u5b78\u85dd\u8853\u53f2\u7814\u7a76\u6240\u6559\u6388<\/p>

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Work Address \u5de5\u4f5c\u5730\u5740<\/span> <\/strong><\/span>
Graduate Institute of Art History, National Taiwan Normal University
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162, He-ping East Road, Section 1, Taipei 10610, Taiwan 10610
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Education \u5b78\u6b77<\/span><\/strong><\/span><\/p>

2006.01.<\/p><\/td>

Venia legendi (Postdoctoral Lecture Qualification) in Art History<\/p><\/td><\/tr>

1991.07.<\/p><\/td>

Ph.D., University of W\u00fcrzburg, Germany (Western Art History), (Publication: Leon Battista Alberti\u2014The Architectural Ornament, in German, 1996)<\/p><\/td><\/tr>

1987.07.<\/p><\/td>

M.A., University of W\u00fcrzburg, Germany (Western Art History)<\/p><\/td><\/tr>

1981.11.\u2014 1987.07.<\/p><\/td>

Studies of Art History, Medieval History, Auxiliary Sciences of History, and Classical Archeology, University of W\u00fcrzburg, Germany<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Specialization \u5c08\u9577<\/span><\/span><\/strong>
Italian Renaissance, Architecture and Architectural Theory
Architectural Ornament and Theory of the Ornament from the Renaissance to the 20th <\/sup>Century
Venetian Renaissance Painting
Painting of German Historicism
Cultural Travelling
Reception of Renaissance Art in the Nineteenth Century<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Work Experience \u7d93\u6b77<\/strong><\/span><\/span><\/p>

2017.08. \u2014 2023.08.<\/p><\/td>

Director: Graduate Institute of Art History, NTNU<\/p><\/td><\/tr>

2010.08. \u2014 present<\/p><\/td>

Professor: Graduate Institute of Art History, NTNU<\/p><\/td><\/tr>

2002.08 \u2014 2010.07.<\/p><\/td>

Associate Professor: Institute of Art History, University of M\u00fcnster<\/p><\/td><\/tr>

2009.01. \u2014 2009.12.<\/p><\/td>

Research Associate: Sonderforschungsbereich 496 \u201cSymbolische Kommunikation und gesellschaftliche Wertesysteme\u201d (Collaborative Research Centre 496: \u201cSymbolic Communication and Social Value Systems\u201d) Project B2: \u201c\u2018Virtus\u2019 in Kunst und Kunsttheorie der italienischen Renaissance\u201d (\u201c\u2018Virtus\u2019 in Art and Artistic Theory of the Italian Renaissance\u201d)<\/p><\/td><\/tr>

2001.01 \u2014 2003.12.<\/p><\/td>

Research Fellow: Padua, Italy (Foundation Gerda Henkel, D\u00fcsseldorf, Germany)<\/p><\/td><\/tr>

1994.08 \u2014 2000.07.<\/p><\/td>

Assistant Professor: University of M\u00fcnster, Institute of Art History<\/p><\/td><\/tr>

1991.01. \u2014 1999.12.<\/p><\/td>

Editorial Assistant: Zeitschrift f\u00fcr Kunstgeschichte (Journal of the History of Art)<\/p><\/td><\/tr>

1991.01. \u2014 1994.12.<\/p><\/td>

Research Associate: Institute of Art History, University of M\u00fcnster<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Honors \u69ae\u8b7d
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2024.04.<\/p><\/td>

Cavaliere della Stella d\u2019Italia (Knight of the Star of Italy) granted by the Republic of Italy for special merits in the promotion of friendly relations and cooperation between Italy and other countries<\/p><\/td><\/tr>

2001.03.06 \u2014 2003.03.06<\/p><\/td>

Research Fellow, Gerda Henkel Stiftung, D\u00fcsseldorf<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tMemberships \u6703\u54e1\n<\/strong><\/span>\n\n\n\n\n\n\n
Since March 2021<\/td>\nExternal Editorial Board Member of Fu Jen Journal of Foreign Languages: Linguistics, Literature and Culture<\/td>\n<\/tr>\n\n
October 2020\u2013October 2024<\/td>\nBoard Directors\u2019 Committee Member of the Taiwan Association of Classical, Medieval and Renaissance Studies<\/td>\n<\/tr>\n
Since July 2019<\/td>\nEditorial Board Member Studia Albertiana Vindobonensia. Neulateinische Studien zu Leon Battista Alberti (University of Vienna, Austria)<\/td>\n<\/tr>\n
Since 2000<\/td>\nMember of the Association of the Centro Tedesco di Studi Veneziani, Venice<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Publications \u51fa\u7248 <\/strong><\/span>
Journal Papers \u671f\u520a\u6587\u7ae0 (Selection)<\/strong><\/span><\/p>
2025<\/td>\u201cFrom the Center to the Periphery. Jacopo de\u2019 Barbari\u2019s and Marin Sanudo\u2019s Perspectives on the Venetian Mainland Territories\u201d (2025; forthcoming)<\/td><\/tr>
2022<\/td>\u201cIntroduction: Cultures of Travel,\u201d in: Concentric: Literary and Cultural Studies<\/em> 48, no. 2, September 2022, pp. 3\u20134<\/td><\/tr>
2019<\/td>\u201cThe Lady in Black at Asolo and the Portraits of Caterina Cornaro as Queen Dowager,\u201d in: The Secrets of a Royal Portrait, Nicosia: Leventis Foundation<\/em>, 2019, pp. 70\u201377<\/td><\/tr>
2018<\/td>\u201cBetween Workshop Practice and Art Theory: Artistic Formation in Renaissance Venice,\u201d in: Hui-zung Perng (ed.), Culture of Learning. Papers on Passions for Learning from the Classical Medieval and Renaissance Culture and Literature<\/em>, Chang-hua: National Chang-hua University of Education, 2018, pp. 99\u2013117<\/td><\/tr>
2018<\/td>\u201cImages of Renaissance Heroines in Nineteenth-Century Painting: Caterina Cornaro, Bianca Capello, Lucrezia Borgia,\u201d in: Lina Bolzoni and Alina Payne (eds.), The Italian Renaissance in the 19th Century.<\/em> Revision, Revival and Return (I Tatti Studies; 1), Milan: Officina Libraria, 2018, pp. 391\u2013416<\/td><\/tr>
2014<\/td>\u201cIl committente e l\u2019artista. Polemiche e controversie sull\u2019arte nella Venezia rinascimentale,\u201d in: Rotraud von Kulessa\/Daria Perocco\/Sabine Meine (eds.), Conflitti culturali a Venezia dalla prima et\u00e0 moderna ad oggi, Florence: Franco Cesati Editore, 2014, pp. 147\u2013168<\/td><\/tr>
2013<\/td>\u201cA Poet\u2019s Image between Antimyth and Self-Reflection. Anselm Feuerbach\u2019s Death of Pietro Aretino (1854),\u201d in: Candida Syndikus (ed.), Representation and Show. Studies in Nineteenth-Century Art<\/em>, Taipei: SMC Publishing Inc., 2013, pp. 137\u2013208 (Shida Studies in Art History; vol. 2)<\/td><\/tr>
2013<\/td>\u201cTra autenticit\u00e0 storica e invenzione romantica. L\u2019immagine di Caterina Cornaro nella tradizione artistica e storico-artistica dell\u2019Otto e Novecento,\u201d in: Candida Syndikus\/Sabine Rogge (eds.), Caterina Cornaro \u2013 Last Queen of Cyprus and Daughter of Venice<\/em>\/Ultima regina di Cipro e figlia di Venezia, M\u00fcnster: Waxmann, 2013, pp. 33\u201380<\/td><\/tr>
2013<\/td>\u201cVirtus Romana und Virtus Patavina \u2013 Der Freskenzyklus der Sala dei Giganti im Palazzo del Capitano von Padua,\u201d in: Thomas Weigel (ed.), Leitbild Tugend. Die Virtus-Thematik in italienischen Kommunalpal\u00e4sten und F\u00fcrstenresidenzen der Renaissance<\/em>, proceedings of an international conference, M\u00fcnster 2010, M\u00fcnster: Rhema-Verlag, 2013, pp. 315\u2013365<\/td><\/tr>
2011<\/td>\u201cFar from the modern world\u2026 Anselm Feuerbach\u2019s idea of modernity,\u201d in: Shai-Shu Tzeng (ed.), Agents of Modernity<\/em>, Taipei: SMC Publishing Inc., 2011, pp. 63\u2013113 (Shida Studies in Art History; vol. 1)<\/td><\/tr>
2011<\/td>\u201cVon der \u2018Stadt der Toten\u2019 zum \u2018Tod in Venedig.\u2019 Anselm Feuerbach und Venedig,\u201d in: Anselm Feuerbach: Stationen: D\u00fcsseldorf\u2013Venedig\u2013Wien<\/em>, Schriftenreihe\u00a0\u00a0\u00a0 der Stadt Speyer; vol. 18, pp. 58\u2013123<\/td><\/tr>
2008<\/td>\u201cPorta und Arcus. Stadttor und Triumphbogen bei Alberti,\u201d in: Joachim Poeschke and Candida Syndikus (eds), Leon Battista Alberti: Humanist, Kunsttheoretiker, Architekt<\/em>, 29\u201330 October 2004, pp. 257\u2013278<\/td><\/tr>
2007<\/td>\u201cZur Darstellung von antiken und antikisierenden Skulpturen in der venezianischen Malerei des fr\u00fchen Cinquecento,\u201d in: Johannes Myssok and J\u00fcrgen Wiener (eds), Docta Manus. Studien zur italienischen Skulptur f\u00fcr Joachim Poeschke<\/em>,\u00a0\u00a0\u00a0 pp. 225\u2013238<\/td><\/tr>
2007<\/td>\u201cForum e arcus: Leon Battista Alberti e l\u2019architettura nelle prime opere di Andrea Mantegna,\u201d in: Arturo Calzona, Francesco Paolo Fiore, Alberto Tenenti, and Cesare Vasoli\u00a0 (eds), Leon Battista Alberti teorico delle arti e gli impegni civili del \u201cDe\u00a0 re aedificatoria.\u201d<\/em>, 23\u201325 October 2003, vol. 2, pp. 893\u2013912<\/td><\/tr>
2001<\/td>\u201c\u2018Aber Caterina schl\u00e4gt alles\u2019: Hans Makart malt die K\u00f6nigin von Zypern,\u201d in: Damian Dombrowski (ed.), Zwischen den Welten: Beitr\u00e4ge zur Kunstgeschichte f\u00fcr J\u00fcrg\u00a0 Meyer zur Capellen.<\/em> Festschrift zum 60. Geburtstag, pp. 262\u2013280<\/td><\/tr>
2000<\/td>\u201cAphrodite oder Medusa? Fr\u00fche Bildnisse der Caterina Cornaro, K\u00f6nigin von Zypern,\u201d in: Sabine Rogge (ed.), Zypern: Insel im Brennpunkt der Kulturen<\/em>, vol. 1, M\u00fcnster: Waxmann, pp. 225\u2013247<\/td><\/tr>
1998<\/td>\u201cWilhelm Rincklake und das Grabmal der\u00a0 F\u00fcrstin Gallitzin,\u201d in: Petra Schulz and Erpho Bell (eds), \u201cMeine Seele ist auf der Spitze meiner Feder.\u201d Amalia F\u00fcrstin von Gallitzin (1748\u20131806)<\/em> (Schriften der Universit\u00e4ts- und Landesbibliothek M\u00fcnster), M\u00fcnster: Ardey Verlag, 1998, pp. 119\u2013221, 236\u2013239<\/td><\/tr>
1996<\/td>\u201cDie baugeschichtliche Stellung der Pfarrkirche St. Agatha in Angelmodde<\/em>, in:\u00a0 Chronik Angelmodde 10, 1996, pp. 145\u2013194<\/td><\/tr>
1994<\/td>\u201cZu Leon Battista Albertis Studium der Basilica Aemilia auf dem Forum Romanum,\u201d in: Zeitschrift f\u00fcr Kunstgeschichte<\/em> 57, pp. 319\u2013330<\/td><\/tr>
1992<\/td>\u201cBemerkungen zur Architektur und Bauornamentik der ehemaligen Abteikirche von K\u00fcstelberg, in: Zeitschrift Westfalen<\/em> 70, 1992, pp. 75\u201391<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Books \u5c08\u66f8
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2024<\/p><\/td>

together with Metra Lin, Cen Long. Vita e arte \/ Life and Art, Cinisello Balsamo<\/em> (Milan): SilvanaEditoriale, 2024<\/p><\/td><\/tr>

2022<\/p><\/td>

as guest editor: Concentric: Literary and Cultural Studies<\/em> 48, no. 2, September 2022 (Proceedings of the International Conference \u201cCultures of Travel,\u201d NTNU, October 2021)<\/p><\/td><\/tr>

2014<\/p><\/td>

as editor together with Thomas Weigel and Britta Kusch-Arnhold (eds.), Die Virtus in Kunst und Kunsttheorie der italienischen Renaissance (Virtue in Art and Art Theory of the Italian Renaissance)<\/em>. Joachim Poeschke zum 65. Geburtstag, M\u00fcnster: Rhema Verlag, 2014<\/p><\/td><\/tr>

2013<\/p><\/td>

as editor: Representation and Show. Studies in Nineteenth-Century Art<\/em>, Taipei: SMC Publishing Inc., 2013 (Shida Studies in Art History; vol. 2)as editor with Sabine Rogge (eds.), Caterina Cornaro \u2013 Last Queen of Cyprus and Daughter of Venice\/Ultima regina di Cipro e figlia di Venezia, M\u00fcnster: Waxmann, 2013<\/p><\/td><\/tr>

2008<\/p><\/td>

as editor with Joachim Poeschke, Leon Battista Alberti: Humanist, Kunsttheoretiker, Architekt. Proceedings of the International Congress<\/em>, M\u00fcnster: Rhema-Verlag, 2008<\/p><\/td><\/tr>

1996<\/p><\/td>

Leon Battista Alberti: Das Bauornament<\/em>, M\u00fcnster: Rhema-Verlag, 1996<\/p><\/td><\/tr>

1993<\/p><\/td>

with Joachim Poeschke and Thomas Weigel, Mittelalterliche Kirchen in M\u00fcnster<\/em>, Munich: Hirmer-Verlag, 1993<\/p><\/td><\/tr><\/tbody><\/table>

\u00a0<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Projects \u8a08\u756b<\/strong><\/span><\/span><\/p>
2025\u20132027<\/td>Liminal Places between Rome, Byzantium, and Venice: Medieval Ecclesiastic Architecture in the Rural Areas of the Veneto Region (NSTC)<\/td><\/tr>
2021\u20132024<\/td>Physical and Spiritual Healing in the Imagery of the Venetian Renaissance (NSTC)<\/td><\/tr>
2021<\/td>TACMRS Annual International Conference 2021 \u201cCultures of Travel. Tourism, Pilgrimage, Migration,\u201d sponsored by MOST, NTNU, and TACMRS (2021.10.22\u20132021.10.23)<\/td><\/tr>
2019\u20132021<\/td>From Locus Terribilis<\/em> to Locus Amoenus<\/em>\u2014Venetian Images of the Terraferma<\/em> in Times of War (1500\u20131530) (MOST)<\/td><\/tr>
2017\u20132019<\/td>Art and Ritual in the Lay Confraternities of Renaissance Padua (MOST)<\/td><\/tr>
2015\u20132017<\/td>Portraits of a Renaissance Lady\u2014Picturing Caterina Cornaro, Queen of Cyprus (MOST)<\/td><\/tr>
2013\u20132015<\/td>German Painters in Nineteenth-Century Venice\u2014Myth, Experience and Reflection (1815\u20131880)<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

CURRICULUM VITAE \u7c21\u6b77\u8868 Candida Syndikus \u8f9b\u8482\u5eab\u7d72Ph.D., M.A.Ca […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-13541","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/13541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/comments?post=13541"}],"version-history":[{"count":91,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/13541\/revisions"}],"predecessor-version":[{"id":15569,"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/pages\/13541\/revisions\/15569"}],"wp:attachment":[{"href":"https:\/\/arthistory.ntnu.edu.tw\/index.php\/wp-json\/wp\/v2\/media?parent=13541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}