CURRICULUM VITAE 簡歷表
VALENTIN NUSSBAUM 諾斯邦
vnussbaum@ntnu.edu.tw
Current Position 現職
Professor, Graduate Institute of Art History,National Taiwan Normal University
國立臺灣師範大學藝術史研究所教授
Work Address 工作地址
Graduate Institute of Art History, National Taiwan Normal University
國立台灣師範大學藝術史研究所
162, He-ping East Road, Section 1, Taipei 10610, Taiwan 10610
台北市大安區和平東路一段162號
Education 學歷
2005.07
1999.03
Ph.D. University of Fribourg, Switzerland
M.A. University of Fribourg, Switzerland
Specialization 專長
Western Art of the 19th and 20th Centuries 19與20世紀西方藝術
Cinema and Photography 電影與攝影
Portraiture and Identity (15th to 20th Centuries) 肖像與身分(15至20世紀)
Relationships between Words and Images 文字與圖像的關係
Forensic Imagery 法醫圖像
Art and Crime 藝術與犯罪
Experience 經歷
2008.01~2008.12 | Research Assistant, Christie’s Paris, the Yves Saint Laurent and Pierre Berge Collection’s Catalogue , publication |
2007.08~2008.07 | Teaching, Lausanne (EHL), Ecole hoteliere, Lecturer |
2006.01 ~ 2006.12 | Research Assistant, University of Fribourg, Department of Preservation of Historical Monuments, Publication of the 850th Anniversary of the City of Fribourg |
2005.08 ~ 2009.07 | Teaching, University of Fribourg, Department of Art History and Musicology, Assistant Professor |
2005.01 ~2005.12 | Teaching, Lausanne (ECAL), School of Design and Visual Art, Lecturer |
2004.01 ~ 2008.12 | Membership, Swiss Association of Young Scholars in Art History |
1999.08 ~ 2005.07 | Musicology, Research and Teaching Assistant |
1999.01 ~ 2005.12 | Musicology, Chair of Modern and Contemporary Art History: research assistant to Professor Stoichita |
1999.01 ~ 2007.12 | Membership, Centre d’art contemporain FRI-ART, Fribourg (Switzerland), the executive committee of the Kunsthalle, Member |
Publication 出版
Journal Article 期刊文章
2016 | “Vendre sa peau: Le marché de l’art entre fictions et réalités“ ( “Selling One’s Skin: Realities and Fictions of the Art Market“), Proceedings of the Second Swiss Congress of Art History, 22 -24 August 2013 |
2016 | Lin Mun-lee and Tsai Ming-liang (eds.), One Cannot See the Forest from the Trees. A journey in Tsai Ming-liang’s Imaginary Landscapes, Stray Dogs at The Museum – Tsai Min-liang Solo Exhibition (exhibition catalogue), pp210-218 |
2013 | Valentin Nussbaum, As Seen on the Screen. The Artefact and the Cinematic Gaze, The Challenge of the Object: Proceedings of the 33rdCongress of the International Committee of the History of Art, vol. 3, pp803-807 |
2012 | Valentin Nussbaum, Ghost Images in Brian de Palma’s Obsession, Journal of Taipei Fine Arts Museum, No. 23, pp79-100 |
2011 | Valentin Nussbaum, Classic = Modern. Godard’s Bande à part, McTiernan’s The Thomas Crown Affair and the Question of Cinematic Modernity, Shida Studies in Art History, vol.1 |
2011 | Valentin Nussbaum, Christian Belin, Guy Bedouelle and Simone de Reyff (eds.), Le maître dérobé: chroniques de l’appropriation dans les arts visuels, La Tradition du savoir, pp345-371 |
2011 | Valentin Nussbaum, Valérie Favre, SIKART Lexikon und Datenbank / Dictionnaire et base de données |
2009 | Valentin Nussbaum, Christie’s (ed.), James Ensor. Le Désespoir de Pierrot ou Pierrot jaloux, cat. n° 17, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp68-74 & pp230-231 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Pablo Picasso. Poulet, verre, couteau et bouteille cat. n° 32, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp108-111 &32 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Alexander Calder. Dancers and Sphere, cat. n°41, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp148-151&pp244-245 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Fernand Léger. Ballet mécanique, cat. n° 49, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, p173 & p 252 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Giorgio de Chirico. Il Ritornante, cat. n°57, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp204-207 &pp.261-262 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Paul Klee. Sollte steigen, cat. n°58, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp210-211&p263 |
2009 | Valentin Nussbaum, and Christie’s (ed.), Paul Klee. Gartenfigur, cat. n°61, Collection Yves Saint Laurent Pierre Bergé. Art impressionniste et moderne, pp214- 215&p264 |
2009 | Valentin Nussbaum, Charlotte Schoell-Glass, and Catriona McLeod (eds.), Serial Künstler. Portrait of the Artist as a Malefactor, Elective Affinities, Testing Word & Image Relationships. Word & Image Interactions, book 6, pp205-219 |
2008 | Valentin Nussbaum, Wim et la sacrée reliquerie. Enfance de l’art et reliques du sacré dans l’oeuvre de Delvoye, Kritische Berichte, vol.36, no.3, pp83-92 |
2007 | Valentin Nussbaum, and Francis Python (ed.), Places, parcs et jardins publics, ribourg une ville aux XIXe et XXe siècles / Freiburg eine Stadt im 19. und 20. Jahrhundert, pp277-294 |
2007 | Valentin Nussbaum, Agostino Paravicini Bagliani, Jean-Michel Spieser, Jean Wirth (eds.), L’aura de Laura. L’écho du portrait idéal au cinéma, Le portrait. La représentation de l’individu, Micrologus’ Library, vol.17, pp183-204 |
2006 | Valentin Nussbaum, and Christina Bacher (ed.), Der imaginäre Mord, Art in Crime. Kalender für Kriminalliteratur, 2007, pp30-36 |
2005 | Valentin Nussbaum, Claus Clüver, Véronique Plesch, and Leo H. Hoek (eds.), A l’ombre de portraits en fleurs.Symbolisme et troubles de l’identité de Whistler à Hitchcock, Orientations. Space Time / Image / Word. Word & Image Interactions, 5, pp37-50 |
2003 | Valentin Nussbaum, Omar Calabrese, and Claudio Strinati (eds.), Giovanni Lanfranco, Ritratto della famiglia del pittore (cat. n°42), Persone Ritratti di gruppo da Van Dyck a de Chirico, p175 (ill. p120) |
1996 | Valdès Leal : les Hiéroglyphes des Fins Dernières de l’église de la Santa Caridad à Séville, Revue roumaine d’histoire de l’art (Série Beaux-Arts), Vol. 33, pp. 49-66 |
Conference Paper 會議論文
2011 | Cinematic! How Movies have changed the Vision of Art, Kaohsiung First University of Science and Technology, Kaohsiung, , 2011-06-03-2011-06-03 |
2011 | Renaissance de façade.Treacherous Survival in Brian de Palma’s Obsession, Eurotrash? Modern Simulacra of Renaissance Art, Zurich , , 2011-03-18-2011-03-18, International Conference organized by Dartmouth College and the University of Zurich |
2010 | L’art c’est le vol. L’originalité au défi de l’appropriation, 1st Swiss Conference in Art History, , 2010-09-02-2010-09-04, Bern, (Conference organized by the Swiss Association of Art Historians (VKKS / ASHHA) and the University of Bern) |
2010 | Classic = Modern. Questioning Cinematic Modernity, Taipei (Conference organized by GIAH, National Taiwan Normal University), , 2010-03-27-2010-03-27, International Conference Agent of Modernity |
2010 | Holy Business. Art and Transit of Value, Kaohsiung , , 2010-03-18-2010- 03-18, Kaohsiung First University of Science and Technology |
2009 | Cinema Connection. Reflections on Art History, Museums and Movies, Taiwan Art Historian Forum, , 2009-11-27-2009-11-27, GIAH, National Taiwan Normal University |
2008 | Organization of the 12th conference of the Swiss Young Art Historians University of Fribourg , , 2008-10-17-2008-10-18 |
2008 | Le maître dérobé. Chroniques de l’appropriation dans le milieu artistique, International Conference La tradition du savoir: le maître et le disciple, University of Fribourg, , 2008-04-19-2008-04-19 |
2007 | Wim et la sacrée reliquerie. Réflexions sur le sacré dans l’oeuvre de Wim Delvoye, Conference Reste, University of Bern, , 2007-10-07-2007-10-07 |
2006 | Modus operandi. Eléments d’enquête sur la poétique indicielle contemporaine, Conference The Making Of…Gesture and Signature in the Art after 1950, University of Bern, , 2006-02-11-2006-02-11 |
2006 | Le titre à l’oeuvre, Conference History of Titles, University of Fribourg, 2006-01-09-2006-01-09 |
2005 | Portrait of the Rtist as a Malefactor, Artist and the Art World in Fiction, Penn University, Philadelphia, 2005-09-27-2005-09-27 |
2005 | Identité / altérité: quand l’un (ou l’une) est l’autre, Exhibition Double Consciousness, Kunsthalle / Centre d’art contemporain, , 2005-05-23-2005-05-23, FRI-ART, Fribourg |
2005 | A Likeness of Artistic Identity: Fra Filippo Lippi and Vasari’s Lives, Meeting of the Renaissance Society of America, Session: – Socializing the Individual: Aspects of Renaissance Portraiture, Cambridge (UK), , 2005-04-09-2005-04-09 |
2004 | L’aura de Laura. Les paradoxes du portrait au cinéma, 3ème cycle romand de Lettres: Le portrait: la représentation de l’individu, University of Geneva, , 2004- 12-03-2004-12-03 |
2004 | Serial Künstler. Portrait de l’artiste en malfaiteur, Interdisciplinary Conference Art & Crime, University of Fribourg, , 2004-09-25-2004-09-25 2004 Organization of the interdisciplinary conference Art & Crime, University of Fribourg, , 2004-09-25-2004-09-25 |
2003 | A fleur d’identité: le portrait refiguré chez Whistler et consorts, 7th Swiss Young Scholars in Art History Conference, University of Neuchâtel, , 2003-11-08- 2003-11-08 |
2002 | A l’ombre des portraits en fleurs.Fin de siècle et trouble de l’identité, 6th International IAWIS Word & Image ConferenceSession: Word and Image in History and Historiography: Perspectives, University of Hamburg, , 2002-07-22-2002-07-22 |
2001 | Organization of the 5th conference of the Swiss Young Art Historians, University of Fribourg, , 2001-05-11-2001-05-12 |
2000 | Autant en importe le nom, autant en emporte le temps: l’intitulation du portrait, 30th CIHA Conference, Session: Look, See, Behold: The Spectator’s Time, London, 2000-09-07-2000-09-07 |
1999 | Tableau, que me veux-tu?, 3rd Swiss Young Scholars in Art History Conference, University of Zurich, 1999-05-08-1999-05-08 |
Book 專書
2003 | Persone Ritratti di gruppo da Van Dyck a de Chirico, David Teniers il Giovane, L’artista e la sua famiglia, Milano: Silvana Editoriale, editor: Omar Calabrese, Claudio Strinati |
2003 | Persone Ritratti di gruppo da Van Dyck a de Chirico, Antonio Domenico Gabbiani, Trio di musici del Gran Principe Ferdinando con servitore nero , Milano: Silvana Editoriale , editor: Omar Calabrese, Claudio Strinati |
2003 | Persone Ritratti di gruppo da Van Dyck a de Chirico, Jacques Autreau, I bevitori di vino, Milano: Silvana Editoriale, editor: Omar Calabrese, Claudio Strinati 2003 Persone Ritratti di gruppo da Van Dyck a de Chirico, Francesco Hayez, Autoritrato con gruppo di amici, Milano: Silvana Editoriale , editor: Omar Calabrese, Claudio Strinati |
2003 | Persone Ritratti di gruppo da Van Dyck a de Chirico, Jean Béraud, La Madeleine chez le Pharisien, Milano: Silvana Editoriale , editor: Omar Calabrese, Claudio Strinati |
2003 | Persone Ritratti di gruppo da Van Dyck a de Chirico, David Davidovic Burljuk, Ritratto di Christian Brinton e di nove amici artisti, Milano: Silvana Editoriale, editor: Omar Calabrese, Claudio Strinati |
2003 | The Enduring Instant. Time and the Spectator in the Visual Arts / Der bleibende Augenblick. Betrachterzeit in den Bildkünsten, Naming the Subject. Time and Identification in Portraiture, Berlin: Gebr. Mann Verlag, pp. 270-283 , editor: Antoinette Roesler-Friedenthal, Johannes Nathan |
Project 計畫
2012.08 ~ 2013.12 | Cinematic Representations of Forensic Quests NSC (National Science Council, Taiwan) Project: No. NSC 101-2410-H-003-060 (100WFA0300440) |
2010.09 ~ 2011.08 | Cinematographic Close-Up and Evidentiary Paradigm NSC Project: No. NSC99-2410-H003-153 (99B0579) |
2010.01 ~ 2011.03 | Cinematographic Imagery and Forensic Unconscious NTNU Project: No. 98091047 |
Honor 榮譽
2005 | Senior Prize of the Richterich Foundation and the Swiss Association of Art Historians (VKKS / ASHHA) |
2000 | Prize of the Faculty of Arts (University of Fribourg, Switzerland) for the MA Thesis |