CURRICULUM VITAE 簡歷表
HSIEH PEI CHUN 謝佩君
phsieh1@ntnu.edu.tw
Current Position 現職
Non-tenured Assistant Professor, Graduate Institute of Art History,National Taiwan Normal University
國立臺灣師範大學藝術史研究所專案助理教授
Work Address 工作地址
Graduate Institute of Art History, National Taiwan Normal University
國立台灣師範大學藝術史研究所
162, He-ping East Road, Section 1, Taipei 10610, Taiwan 10610
台北市大安區和平東路一段162號
Education 學歷
2015.09~2023.05
2013
2008
Ph.D. Art History, SUNY-Binghamton, NY, U.S.A.
MA Art History, National Normal University of Taiwan, Taipei, Taiwan.
BA History, National Normal University of Taiwan, Taipei, Taiwan.
Specialization 專長
Modern and Contemporary Ar 現當代藝術
Sound Studies 聲音研究
Media and Technology theory 媒介與科技理論
Sensory studies 感官研究
Feminist Art 女性藝術
Curatorial studies 策展學
Critical Theories 批判理論
Work Experience 經歷
2023.01.~2023.05. | Adjunct Lecturer, Department of Art History, Binghamton University |
2018~ Present | Columnist, Voice of Photography, Taipei, Taiwan |
2017~2018 | Program Commissioner, North American Taiwanese Studies Association (NATSA), UT Austin, USA |
2016~2019 | Contributor, Artist Magazine, Taipei, Taiwan. |
2015.04~2015.08. | In-house Publicist, Taipei Fine Art Museum, Taipei, Taiwan. |
2013~2015 | Research Assistant, The Archives of Institution of Taiwan History, Academia Sinica, Taipei, Taiwan. |
Memberships 會員
College Art Association of America.
Association for Asian Studies in Asia.
Society of Cinema and Media Studies
Publications 出版
Peer-Reviewed Publications 同儕審閱出版
| 2023 | “Aural Resilience: Sonic Labour in Chen Ting-jung’s You Are the Only One I Care About (Whisper).” Third Text, 37 (4), pp. 509-524. |
| 2021 | “On the Cinematic Banality of Sci-fi in Martine Stig’s Cauchy Horizons,” Journal of TFAM 42 (December, 2021). |
| 2018 | “A Nomad in Nowhereland: Hsieh Teching’s One Year Performance (Outdoor Piece), 1981-1992,” Journal of TFAM 35 |
Editorial Work 編輯
2021 | Guest Editor, “Common Task: Critical Terms for Digital Visual Regime,” Voices of Photography, Summer, 2021. https://vopmagazine.com/kw/ |
Books and Exhibition Catalogue (and chapters) 書籍與展覽圖錄(及章節)
2023 | “Digital Archive,” in Contemporary Texts: Archive, edited by Lee Li-Chun and Chang Fang-Wei, Taipei:Taipei Fine Art Museum, 2023. |
2023 | Foam: Listening in the Form of Zine, Taichung: Live Art Foundation, 2023. |
Selected Publication and Reviews 出版與評論節選
2021 | “Expanded Cinema, Closed World: Medianatures in Wu Chi-yu’s Solo Exhibition Altas of the Closed Worlds,” Digiarts, August, 2021. |
2021 | “Human is the Night: Digital Art and Bare Life,” Digiarts, March, 2021 |
2020 | “The Great Disavowal: A Counter History of Image,” Voices of Photography (VOP) 29 (November 2020). |
2019 | “Make Space for the New Mistakes: The Reopening MoMA” Artouch December, 2019. |
2019 | “What is Perceived is Already Destroyed: Found Footage and the Premonition of War in Christian Marclay’s 48 War Movies.” Voices of Photography (VOP) 26 (July 2019). |
2019 | “One Place after Another: An Interview with Yukie Kamiya, Chief Curator at Japan Society Gallery,” Artist Magazine Special Issue on the Global Curators 526 (March 2019). |
2019 | “Freedom is Around the Corner: An Interview with Lawrence Kumpf, Creative Director at Blank Forms,” Artist Magazine Special Issue on the Global Curators 526 (March 2019). |
2019 | Theories of the Young-Girl: Martha Rosler’s Irrespective at the Jewish Museum, New York,” Artist Magazine 525 (February 2019). |
2019 | “A Memo for the Artists of the Next Generation: Bruce Nauman’s Disappearing Acts at MoMA and PS1” Artouch, https://artouch.com/view/content-678.html (accessed March 27th, 2019.) |
2018 | “From Participatory Art to Eco-humanism: An Interview with Mali Wu, Curator of Taipei Biennale: Post-Nature, 2018,” Performing Art Review: Special Issue on Participatory Art 308 (August 2018). |
2018 | “After Finitude: Art after the Age of Internet:1989 to Today at ICA, Boston,” Artist Magazine 517 (June 2018). |
2018 | “An Interview with Christophe Cherix, Robert Lehman Foundation Chief Curator of Drawing and Prints,” Artist Magazine Special Issue on the Art of Drawing 516 (May 2018). |
2018 | “Art and Its Right to Death: Song for Sabotage — New Museum Triennial, 2018,” Artist Magazine 515 (April 2018). |
2017 | “Contemporary Art in 36°C : Take me (I’m yours) at Jewish Museum,” Artist Magazine 500 (January 2017). |
| 2022 | “An Ideal Screen? Moholy-Nagy and the Necessities of Fläche/Leinwand/ Schirm.” Noam M. Elcott. Voices of Photography, 33 December 2022. |
| 2021 | “The Cinematic Imaginary and the Photographic Fact: Media as Models for 20th Century Art,” Noam M. Elcott, Digiarts台灣數位藝術 Special Issue on Image, no. 11 (Feburary 2021). |
| 2020 | “Phantasmagoria Dispositif: An Assembly of Bodies and Images in Real Time and Space.”Noam M. Elcott, Digiarts 台灣數位藝術 30 Oct. 2020. |
Curatorial Practice 策展
2024 | Curator, Geopoetics: Changing Natures of the Threatened Worlds, National Museum of Fine Art, December 2, 2023 – March 13, 2024 (Co-curated with Patrick Flores and Kim Seong-Youn) |
2022 | Curator, FOAMS: Auralization, Live forever Foundation (陸府⽣活教育美學基⾦會) , July 30 – October 31, 2022. Curator. (Nominated for the 21st Taishin Art Award) |
Project計畫
2020~2022 | “Science Fiction: Art and the Bare Life in the Age of Digital.” Sponsored by National Culture and Art Foundation, Taiwan（國藝會） |
2019~2021 | “Visual Culture in Contemporary Asia” collaborated with Lee Wei-I, the chief editor of Voices of Photography. Sponsored by National Culture and Art Foundation, Taiwan（國藝會） |
Fellowships, Grants and Awards 獎助學金與獲獎
2022.08.~2022.12. | Institute for Advanced Studies in the Humanities Fellow. |
2021~2022 | Barbara Abou-El-Haj Research Grant |
2020~2022 | Minister of Education Fellowship |
2020~2021 | Binghamton University Dissertation Year Assistantship |
2019~2020 | Helena Rubinstein Critical Studies Fellow of Independent Study Program at the Whitney Museum of American Art |
2017~2019 | Binghamton University Teaching Assistant Fellowship |
2015~2017 | Graduate Study Fulbright Grant |