CURRICULUM VITAE 簡歷表
Lin Li Chiang 林麗江
Ph.D., M.A.
lilin@ntnu.edu.tw
Current Position 現職
Professor, Graduate Institute of Art History,National Taiwan Normal University
國立臺灣師範大學藝術史研究所教授
Work Address 工作地址
Graduate Institute of Art History, National Taiwan Normal University
國立台灣師範大學藝術史研究所
162, He-ping East Road, Section 1, Taipei 10610, Taiwan 10610
台北市大安區和平東路一段162號
Education學歷
1994/6 – 1998/2 | 美國普林斯頓大學/藝術與考古系中國美術史組博士 |
1991/9 – 1994/6 | 美國普林斯頓大學/藝術與考古系中國美術史組碩士 |
1989/9 – 1991/6 | 國立臺灣大學/藝術史研究所碩士 |
1984/10 – 1988/6 | 國立臺灣大學/外國語文學系學士 |
Expertise and Current Research專長與研究
中國藝術史、中國繪畫、中國版畫、中日與東西藝術文化交流
Chinese Art History, History of Chinese Woodblock Prints, History of Chinese Painting Art and Culture exchange between China and Japan, East and West
碩士主修中國繪畫、副修中國書法，博士主修中國繪畫及版畫。希望繼續對中國繪畫與版畫有更深入的探索，研究晚明繪畫與視覺文化間相互影響與傳播（即包含不同的藝術媒材相互交流學習之複雜關係）、近代中國藝術對西方文化之應變與學習、中日文化與藝術交流，以及東西文化於近代世界交流所產生之衝擊與影響等議題。
I major in Chinese paintings and calligraphy in my MA study and later specialize in Chinese woodblock prints for the PhD study. I have written extensively on woodblock-print illustration, print culture and narrative pictures in late Ming China. Recently I also extend my research on the cultural exchanges in Pre-modern East-Asia, with a focus on Nagasaki area where China, Japan and the Netherlands encountered with one another. Currently, I am working on the Suzhou narrative paintings, a genre made mostly in late Ming and early Qing periods. These paintings were first made for the late Ming thriving art market and were later transported to Japan and even Europe, deemed as the ancient Chinese master pieces, which then had impact on the local painting making business. I am interested in investigating the encounters of different cultures and different countries and hope to gain more insight on the impact of 17th-century globalization to cultures and the making of arts.
| 2012/7 – 至今 | 國立台灣師範大學藝術史研究所教授 Professor, Graduate Institute of Art History, National Taiwan Normal University |
| 2021/8 – 2023/7 | 借調至國立故宮博物院擔任書畫文獻處處長 Chief Curator, Dept. of Painting and Calligraphy & Rare Books and Historical Documents, National Palace Museum | 2014/8 – 2017/7 | 國立台灣師範大學藝術史研究所教授兼所長 Professor & Director, Graduate Institute of Art History, National Taiwan Normal University |
| 2012/8 – 2013/7 | 美國加州大學柏克萊分校東亞研究中心訪問學者（頂大計畫贊助） Visiting Scholar in the Institute of the East Asian Studies, University of California, Berkeley (funded by “Top University Strategic Alliance”) |
| 2008/8 – 2012/1 | 國立台灣師範大學藝術史研究所副教授 Associate Professor, Graduate Institute of Art History, National Taiwan Normal University |
| 2006/8 – 2008/7 | 國立台灣師範大學美術學系副教授 Associate Professor, Department of Fine Arts, National Taiwan Normal University |
| 2003/8 – 2006/7 | 國立台灣師範大學美術學系助理教授 Assistant Professor, Department of Fine Arts, National Taiwan Normal University |
| 2001/8 – 2003/7 | 清華大學通識教育中心暨歷史所（合聘）助理教授 Assistant Professor, Center for General Education & Institute of History, National Tsing-hua University |
| 1998/8 – 2001/7 | 華梵大學美術學系助理教授 Assistant Professor, Department of Fine Arts, Hua-Fan University |
Publications 出版
Periodical 期刊論文
2022 | 林麗江著，都甲さやか翻譯，〈古典の再生考―狩野山雪と「長恨歌図」研究―〉(The Rebirth of Classics: Kanō Sansetsu and his Chōgonka Scrolls) ，《國華》1516：7-28。 |
2021/3 | 林麗江，〈解構與重建：明仇英《臨宋元六景》圖冊研究〉 (Deconstruct and Reconstruct: A Study of Qiu Ying’s Painting Album of Six Scenic Views in Song and Yuan Styles)，《故宮學術季刊》卷38期3，頁1-56。 （科技部計畫編號 MOST 105-2410-H-003 -055 -MY2） |
2016 | 林麗江，〈圖繪長崎：唐蘭館圖研究〉 (Depicting Nagasaki: the Tōjinyashiki and Dejima Pictures)，미술사연구 Misulsa Yeongu vol.31 : 113-151. （國科會計畫編號NSC 99 – 2410 – H – 003 – 049 – MY2-） |
2015/12 | 林麗江，〈晚明規諫版畫《帝鑑圖說》之研究〉(A Study on the Late Ming Woodblock Printing of Admonitions in A Mirror for the Emperor, Illustrated and Explained)，《故宮學術季刊》卷33期2，頁83-142。 （國科會計畫編號 NSC-90-2411-H-007-038-） |
2012/9 | 林麗江，〈明代版畫《養正圖解》之研究〉(The study of the Ming woodblock prints Yangzheng tujie)，《國立臺灣大學美術史研究集刊》33，頁163-224。 （國科會計畫編號NSC-93-2411-H-003-035-） |
2012 | Lin, Li-chiang, “Wang Tingne Unveiled—through the Study of the Late Ming WoodblockPrinted Book Renjing Yangqiu,” Bulletin de l’Ecole Française d’Extrême-Orient 95-96, 2008- 2009: 291-329. （國科會計畫編號 NSC-94-2411-H-003-013-） |
2011/8 | Lin, Li-chiang, “The Making of Images—Reading Wang Tingna’s ‘Everyday Life’ through the Huancui tang yuanjing tu,”《美術史學》25，頁401-449。 |
2010 | 林麗江，〈晚明徽州墨商程君房與方于魯墨業的開展與競爭〉(The development and competition of ink-making business between the Huizhou merchants Cheng Jungfang and Fang Yulu in the late Ming China )，《法國漢學》（Faguo hanxue）13，頁121-197。 |
2010/6 | 林麗江，〈日本古梅園相關墨書之研究－十八世紀中日藝術文化交流之一端〉 (Ink Catalogues by Kobaien: Cultural Exchange and Interaction between 18th-Century China and Japan)，《漢學研究》28.2，頁127-168。 （國科會計畫編號NSC-89-2411-H-211-006-） |
2003 | 林麗江，〈由傷感而至風月—白居易《琵琶行》詩之圖文轉繹〉 (from sadness to romance—the interpretation from literature to pictures of the Pipa song by Po Juyi)，《故宮學術季刊》第3期，頁1-50。 |
Article in Book 專書及專書論文
2022/10 | 林麗江，〈王世貞與其筆下的世紀繁華〉(Wang Shizhen and the Flourishing World under his Accounts)，收於林麗江，何炎泉編，《寫盡繁華：晚明文化人王世貞與他的志業》(台北：國立故宮博物院)，頁289-303。 |
2022/8 | 林麗江，〈顧愷之女史箴圖〉(The Admonitions Scroll by Gu Kaizhi)，收於賴毓芝編，《物見：四十八位物件的閱讀者與他們所見的世界》(台北：遠足文化事業股份有限公司)，頁188-200。 |
2022/7 | 林麗江，〈万曆帝、張居正と『帝鑑図說』〉(Emperor Wangli, Zhang Juzheng and the Making of Dijian tushou)，收於水野裕史編，《儒教思想と絵画 : 東アジアの勧戒画》(東京：勉誠出版)，頁174-191。 |
2021 | 林麗江，盧慧紋，施靜菲，邱函妮，〈藝術史研究的回顧與展望〉，收於漢學中心主編，《深耕茁壯—臺灣漢學四十回顧與展望》(台北：國家圖書館)，頁427-470。 |
2018 | 林麗江，〈以蘇州為典範—圖文相襯映的蘇州片製作與影響〉 (Suzhou as model: the production and influence of the Suzhou-Pien )，收錄於邱士華、林麗江、賴毓芝編，《偽好物 —十六至十八世紀「蘇州片」及其影響》（台北：國立故宮博物院），頁366-385。 （科技部計畫編號MOST 105-2410-H-003 -055 -MY2） |
2011 | Lin, Li-chiang, “A Study of the Xinjuan hainei qiguan, a Ming Dynasty Book of Famous Sites,” in Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, ed. Jerome Silbergeld, Dora C.Y. Ching, Judith G. Smith, and Alfreda Murck (Princeton: P.Y.and Kinmay W. Tang Center for East Asian Art, Princeton University in association with Princeton University Press), pp.779–812. （國科會計畫編號NSC92-2411-H-003-069-） |
2011 | 林麗江，〈此恨綿綿無絕期— 狩野山雪的《長恨歌圖》研究〉(The sorrow will continue and never end—study of Kanō Sansetsu’s Chōgonka Scrolls)，收於石守謙、廖肇亨主編，《東亞文化意象之形塑》（台北：允晨文化），頁 539-600。 （國科會計畫編號 NSC 97-2410-H-003-064-MY2） |
2009 | Lin, Li-chiang, “Ming Paintings and Prints: Possible Source for Kano Sansetsu’s Chōgonka Scrolls,” in Shane McCausland and Matthew Philip McKelway ed., Chinese Romance from a Japanese Brush: Kano Sansetsu’s (1590-1651) Chōgonka Scrolls in the Chester Beatty Library (London: Scala Publishers Ltd), pp.151-163. （國科會計畫編號 NSC 97-2410-H-003-064-MY2） |
2008 | Lin, Li-chiang, “The Creation and Transformation of Ancient Rulership in the Ming Dynasty (1368-1644) — A look at the Dijian tushuo (Illustrated Arguments in the Mirror of the Emperors),” in Perceptions of Antiquity in Chinese Civilization, edited by Dieter Kuhn & Helga Stahl. Heidelberg: Edition Forum, pp.321-359. （國科會計畫編號 NSC-90-2411-H-007-038-） |
2001 | 林麗江，〈徽州版畫《環翠堂園景圖》之研究〉(study of the Huizhou woodblock prints Huancui tang yuanjing tu)，《區域與網絡—近千年來中國美術史研究國際學術研討會論文集》（台北：國立台灣大學藝術史研究所），頁299-328。 （本文獲國家科學委員會89年度甲種研究獎勵） |
1998 | Lin, Li-chiang, The Proliferation of Images: The Ink-stick Designs and the Printing of the Fangshih mo-p’u and the Ch’eng-shih mo-yuan. Ph.D. Dissertation, Princeton University. （本文獲國家科學委員會87年度甲種研究獎勵） |
Conference Paper 研討會論文
2018/4/9-4/10 | Li-chiang Lin, “Report from the East: Images and Texts of China by Martino Martini (1614- 1661) and Beyond,” Conference Paper, present in International Conference on “Falsehood, Forgery, and Knowledge Production in Early Modern World: A Comparative Perspective from Studies on Ming-Qing China to Global History,”9-10 April, 2018 「近代早期的謬誤、偽作與知識生產：從明清中國到全球史的比較視野」國際研討會 |
2017/12/21-12/22 | 林麗江，〈名跡作成：從蘇州繪畫中的仇文合作談起〉，發表於國立中央研究院近代史研究所舉辦之「偽作與文化媒介：明清蘇州商業繪畫」工作坊 |
2017/8/24-8/26 | Li-chiang Lin, “Presenting China: Reading the Images on the Maps of the Novus Atlas Sinensis (New Atlas of China,1655) by Martino Martini (1614-1661),” Conference Paper, present in the 2nd Conference of the European Association for Asian Art and Archaeology, University of Zurich |
2017/7/29-7/30 | Li-chiang Lin, “Folk Images On Corners: Visual Information in the Novus Atlas Sinensis (New Atlas of China,1655) by Martino Martini,” Conference Paper, present in the “Folk Images and Late Imperial China” International Conference held by The State Museum of the History of Religion (St. Petersburg, Russia), Institute of Oriental Manuscripts of the Russian Academy of Sciences (St. Petersburg, Russia) and Mazu Culture Research Center, National Chung Cheng University (Chiayi, Taiwan), St. Petersburg |
2016/5/28 | Lin, Li-chiang, “Depicting Nagasaki: the Tōjinyashiki and Dejima Pictures,” Conference paper, 2016 International Academic Symposium “Art and Trade” in Commemoration of the 30th Anniversary of Misulsa Yeonguhoe 韓國美術史研究會 |
2016/4/1 | Lin, Li-chiang, “The Appropriation of Printed Images from China in Kano Sansetsu’s (1590- 1651) Chōgonka Scrolls,” Conference paper in organized panel: Coping and the Circulating Image in Early Modern East Asia, AAS 2016 Annual Conference |
2015/10/31-11/1 | 林麗江，〈圖與文：明代敘事畫在蘇州〉，發表於日本大和文華館所舉辦之「蘇州をめぐる 諸問題―中国と日本の観点から―」國際學術研討會 |
2015/5/9 | Lin, Li-chiang, “Images Redefined: Studies of Chinese Woodblock Prints,” Conference Paper, the “Art History in Korea in the Age of Asia” International Conference, 2015 Spring Conference by the Art History Association of Korea 韓國美術史學會 |
2014 /12/5-12/6 | 林麗江，〈圖繪長崎:江戶後期的唐蘭館圖研究〉，發表於中央研究院中國文哲研究所「明清文學經典中之知識建構與文化思維：文本‧理論‧文化交流」計畫所舉辦之「創新與創造：明清知識建構與文化交流」國際學術研討會 |
2014/11/21-11/23 | Lin, Li-chiang, “Depicting Nagasaki: Ishizaki Yūshi’s Tōjinyashiki and Dejima Pictures,” Conference Paper, the “EurAsian Objects: Art and Material Culture in Global Exchange, 1600- 1800,” International Conference, Cluster of Excellence Asia and Europe in a Global Context at Heidelberg University |
2011/4/30 | Lin, Li-chiang, “The Making of Images—Reading Wang Tingna’s ‘Everyday Life’ through the Huancui tang yuanjing tu,” Conference Paper, the “Art and Everyday Life” International Conference, Korean Association of Art History Education |
2009/9/11 | 林麗江，〈狩野山雪(1560–1651)長恨歌圖之研究〉，發表於中央研究院歷史語言研究所 「東亞文化意象之形塑」計畫所舉辦之「東亞文化意象之形塑──第十一至十七世紀間中日韓三地的藝文互動國際學術討論會」 |
2009/5/20 | 林麗江，〈此恨綿綿—狩野山雪(1560–1651)長恨歌圖中的「中國元素」〉，發表於國立故宮博物院所舉辦之「匯聚：交流中所形塑的亞洲」國際學術研討會 |
2008/3/28-3/29 | 林麗江，〈從明代《帝鑑圖說》一書看張居正的「聖王再塑」〉，發表於國立臺灣大學文學院、二松學舍大學21世紀COE卓越計畫主辦，國立臺灣大學人文社會高等研究院「東亞經典與文化研究計畫」、中央研究院中國文哲研究所合辦之「第五屆日本 漢學國際學術研討會」 |
2008/3/18 | 林麗江，〈帝鑒圖說研究〉，發表於日本科學研究補助計畫「有關『肖像』的跨領域研究」研究小組、國立台灣師範大學藝術史研究所籌備處、國立台灣博物館主辦之「肖像畫的東西觀點」國際學術研討會 |
2004/5/27-5/29 | Lin, Li-chiang, “The Making and Transformation of the Ancient Rulership in Ming Dynasty: Dijian Tushuo [A Study of the Illustrated Texts of the Mirror for Emperors],” Conference Paper, the “Perceptions of Antiquity in China’s Civilization” International Conference, Universität Würzburg, Würzburg（國科會計畫編號NSC-90-2411-H-007-038-） |
2002/12/13-12/14 | 林麗江，〈日本《古梅園墨譜》之研究—十八世紀中日藝文之交流與互動〉，發表於國立故宮博物院所主辦之「十八世紀的中國與世界」學術研討會（國科會計畫編號NSC-89-2411-H-211-006-） |
2001/5/18 | 林麗江，〈由傷感而至風月—白居易《琵琶行》詩之圖文轉繹〉，發表於國立故宮博物院所主辦之「文學名著與美術」學術研討會 |
2000/7/3-7/5 | 林麗江，〈徽州版畫《環翠堂園景圖》之研究〉，發表於國立台灣大學藝術史研究所所主辦之「區域與網絡—近千年來中國美術史研究國際學術研討會」 |
Book Review 書評
2008/7 | Lin, Li-chiang, “Book Review: Mirror of Morality: Chinese Narrative Illustration and Confucian Ideology by Julia Murray,” The International Journal of Asian Studies, vol.5, issue 2 : 272-274 |
Project Report 計畫報告書
2017 | 吳方正（計畫召集人），林麗江、施靜菲、盧慧紋、邱函妮、謝佳娟、呂心純、朱夢慈、周 慧玲、孫松榮、趙惠玲、張婉真、陳玲鈴（以上均為共同召集人），《科技部人文社會科學 研究中心「藝術學學門熱門與前瞻學術研究議題」規劃案結案報告》，台北。（MOST 104-2420-H-002-016-MY3-PH10414） |
Others 其他
2023/12 | 林麗江，〈相遇東西─《程氏墨苑》中的四張銅版畫的仿製與影響〉，《故宮文物月刊》489 期，頁4-17。 |
2019/7 | 林麗江，〈歐洲風情與東方情調的迷航：大航海時代的圖像傳播與製作〉，《典藏古美術》，頁44-53。 |
2018/8 | 林麗江，〈眾美畫中看—從〈乞巧圖〉談起〉，《故宮文物月刊》425期，頁68-82。（科計部計畫編號 MOST 105-2410-H-003 -055 -MY2） |
2022/5 | 林麗江，〈漫談失意文人、儒商與晚明出版業〉，收於《漫遊怪奇藝術史》，台北：原點出版社，頁76-85。 |
Academic Service學術服務
1 | 擔任國立清華大學、國科會、故宮學術季刊、台大美術史研究集刊、中央大學人文學報、新史學、漢學研究等學術單位與學報之論文與計畫審查 |
2 | 擔任校內與校外之碩士學位論文考試之考試委員 |
3 | 擔任文建會之審查委員協助審查國內博物館運行相關事宜 |
4 | 擔任故宮學術季刊、明代研究、藝術學研究、文史哲學刊之編輯委員會委員 |
5 | 擔任文化部文資局之國寶與重要古物審查委員 |
6 | 擔任故宮博物院之藏品徵集審查委員 |
Awards and Support 獎勵與計畫
2023/8/1 – 2025/7/31 | 執行國科會112年度補助之專題研究計畫 晚明版畫與西方文化的相遇 (NSTC 112-2410-H-003 -136 -MY2) National Science and Technology Council, 2023-2025 “The Encounters of the Late Ming Woodblock Prints with the Western Cultures” |
2021/8/1 – 2022/7/31 | 執行科技部110年度補助之專題研究計畫 繪圖演義：明萬曆朝《聖諭圖解》研究 (MOST 110-2410-H-003-143 -) Ministry of Science and Technology, 2021-2022 “The Study of the Illustrated Stele of Hongwu Emperor’s Six Sacred Edicts in the Wanli Period ” |
2019/8/1 – 2022/7/31 | 執行科技部108年度補助之專題研究計畫 明宣德宮廷寫繪本研究-以御製外戚事鑒為中心 (MOST 108-2410-H-003 -035 -MY2) Ministry of Science and Technology, 2019-2021 “The Illustrated Manuscripts of the Ming Xuanzong Court- Study of the Yuzhi waiqi shiqian” |
2016/8/1 – 2019/1/31 | 執行科技部105年度補助之專題研究計畫 明中後期蘇州地區敘事畫之研究 (MOST 105-2410-H-003 -055 -MY2) Ministry of Science and Technology, 2016-2018 “The Study of Narrative Paintings in Suzhou area in Mid and Late Ming Periods” |
2013/8 – 2015/7 | 執行國家科學委員會101年度補助之專題研究計畫 多方觀照：近代早期歐洲與東亞在視覺、物質文化上的交會互動II－日本南蠻屏風的異國觀照與轉繹 (NSC 101 – 2410 – H – 003 – 117 – MY2-) National Science Council, 2013-2015 “Perspectives and Interpretations of Foreign Barbarians in the Japanese Namban Screens,” joint project of Perspectives on Artistic and Cultural Exchanges between Europe and East Asia, 1600-1800, II |
2012/8 – 2013/7 | 獲選為2012年中華民國頂尖大學策略聯盟選派優秀人才赴美國柏克萊加州大學訪問學者 Elected as the 2012 visiting scholar of the Academic Exchange and Cooperation Project between the “Top University Strategic Alliance” in the Republic of China (Taiwan) and the University of California, Berkeley, in the United States |
2010/8 – 2012/7 | 執行國家科學委員會99年度補助之專題研究計畫 多方觀照：近代早期歐洲與東亞在視覺、物質文化上的交會互動-長崎意象的多重匯集-自唐館蘭館圖像的解讀開始 (NSC 99 – 2410 – H – 003 – 049 – MY2-) National Science Council, 2010-2012 “The Convergence of the Nagasaki Images: Analysis of the Tōjinyashiki and the Dejima Pictures,” joint project of Perspectives on Artistic and Cultural Exchanges between Europe and East Asia, 1600-1800. |
2008/8 – 2010/7 | 執行國家科學委員會97年度補助之專題研究計畫 長恨乎？浮世之樂乎？-近世中日兩國明皇貴妃故事圖繪之構成與轉化 (NSC 97-2410 – H – 003 – 064- MY2-) National Science Council, 2008-2010 “Everlasting Sorrow or Pleasure in the Floating World?-The Study of the Construction and Transformation of the Tang Minghuang and Yang Guifei Legends in Pictures in Pre-modern China and Japan” |
2005/8 – 2006/7 | 執行國家科學委員會94年度補助之專題研究計畫 明代版畫《人鏡陽秋》之研究 (NSC 94 – 2411- H- 003 – 013-) National Science Council, 2005-2006 “The Study of the Ming Woodblock Prints Renjing Yangqiu” |
2004/8 – 2005/7 | 執行國家科學委員會92年度補助之專題研究計畫 明代版畫《養正圖解》之研究 (NSC 93-2411-H-003-035-) National Science Council, 2004-2005 “The Study of the Ming Woodblock Prints Yangzheng tujie” |
2003/8 – 2004/7 | 執行國家科學委員會93年度補助之專題研究計畫 明代《海內奇觀》圖冊之研究 (NSC-92-2411-H-003-069-) National Science Council, 2003-2004 “The Study of the Ming Woodblock Prints Hainei qiguan” |
2001/8 – 2002/7 | 執行國家科學委員會90年度補助之專題研究計畫 帝鑑圖說版畫之構成與東傳—近世中日對規鑑圖繪之詮釋與變易 (NSC-90-2411-H-007-038-) National Science Council, 2001-2002 “The Making and Transmission of the Dijian tushuo- Interpretation and Transformation of the Didactic Paintings in Pre-modern China and Japan ” |
2001/6 | 獲國家科學委員會89年度甲種研究獎勵 General Research Award from National Science Council, 2000 |
2000/8-01/7 | 執行國家科學委員會89年度補助之專題研究計畫 日本古梅園墨譜之研究-十八世紀中日藝文之交流與互動 (NSC-89-2411-H-211-006-) National Science Council, 2000 “Ink Catalogues by Kobaien: Cultural Exchange and Interaction between 18th-Century China and Japan” |
1999/6 | 獲國家科學委員會87年度甲種研究獎勵 General Research Award from National Science Council, 1998 |
1996/9 – 1997/8 | 獲德富文教基金會獎學金 Scholarship from Wu’s Foundation |
1995/9 – 1996/8 | 獲蔣經國國際學術交流基金會獎學金 Scholarship from Chiang Ching-kuo Foundation for International Scholarly Exchange |
1994/9 – 1995/8 | 獲美國紐約大都會博物館獎學金並於該館實習 Internship and scholarship from the Metropolitan Museum of Art, New York |
1991/8 – 1994/8 | 獲教育部公費留學獎學金 Scholarship from the Ministry of Education, Taiwan |
MA Thesis Advised 指導之碩士倫文
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2006 |
劉馥賢 |
吳彬《歲華紀勝圖》冊之研究 The study of Wu Bin “Sui-hua Chi-sheng T’u” |
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2008 |
陳昱全 |
北宋《御製秘藏詮》版畫研究 A Study on Northern Song Woodblock Prints, Yuzhi Mizangquan |
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2008 |
彭喻歆 |
北京坊刻版畫之奇葩－明弘治《新刊大字魁本全相參增奇妙註釋西廂記》版畫研究 A Study on the Woodblock Illustrations in “Xinkan dazi kuiben quanxiang canzeng qimiao zhushi Xixiang ji” |
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2009 |
陳香吟 |
明清〈若蘭璇璣圖〉研究 The Study of Su Hui(Ruo-lan) Palindrome Scrolls in the Ming-Qing Period |
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2009 |
蔡佳蒨 |
晚明「沒骨山水」研究 The Study of “Mo-Ku” Landscapes in the Late Ming |
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2009 |
洪麗君 |
明清飲中八仙圖之研究 The Study of the Yinzhong baxian in Ming and Qing dynasties |
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2009 |
蘇玟瑄 |
從明代官員雅集圖看明代雅集圖及群體肖像的發展 The Study of the Literary Gatherings and Group Portraits of the Ming Officials |
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2009 |
許瑜翎 |
明代孔子「聖蹟圖」研究—以傳世正統九年本《聖蹟圖》為中心 The Study of the Shengji tu |
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2009 |
張毓珊 |
《司馬金龍漆畫屏風》研究 The Study of the Lacquered Screen-Painting In the Tomb of Sima Jinlong |
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2012 |
郭奕蘭 |
徐渭《四聲猿》版畫研究 A study on the Woodblock Illustrations in Xu Wei’s (1521-1593) “Four Cries of a Gibbon” (Sisheng Uuan) |
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2013 |
鄭婷婷 |
石林居士序本《牡丹亭還魂記》版畫研究 A Study on the Woodblock Illustrations in Shilin Jushi’s Edition of Peony Pavilion |
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2015 |
闕宇彤 |
張夢徵《青樓韻語》研究 The Study of Chang Mang-Cheng “Chinglou yunyu” |
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2015 |
莊閔琄 |
尤求人物畫研究 The Study of You Chiu’s Figure Paintings |
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2018 |
劉家銘 |
以丹青寓吉凶—《天竺靈籤》圖文關係與圖像解讀 The Fortune-telling Images: A Study of Narrative Technique and Iconography of Tianzhu lingqian |
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2019 |
許詩敏 |
繪刻兼善：劉素明與明末版畫的製作 A Study on Liu Suming‘s Achievement and the Woodblock Illustration Making in Late Ming Dynasty (17th Century) |
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2019 |
黃馨平 |
二十回本《三遂平妖傳》版畫研究 A Study on the Woodblock Illustrations in Twenty-Chapter Edition of The Three Sui Quash the Demons’ Revolt |
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2020 |
張末 |
玩味聖賢書：晚明《七十二朝人物演義》版畫研究 Relishing Confucian Canon: A Study on the Woodblock Illustrations in Qishier Chao Renwu Yanyi |
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2020 |
江采蘋 |
從彥根城藏《四季山水圖》看明代四季故事人物圖之發展 The Study of “Landscapes of the Four Seasons” painting in the Hikone Castle Museum Collection: Unfolding the Development of Historical Figure Paintings of the Four Seasons in the Ming Dynasty |
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2020 |
唐啓翔 |
明代四季山水圖卷研究 Research of Four Seasons Landscape Handscroll Paintings in Ming Dynasty |
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2021 |
郭佩珊 |
陸治《唐人詩意圖》研究 The Study of Lu Zhi“Tang Album of Poetic Paintings” |
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2021 |
李鑫 |
馬軾、李在、夏芷合繪《歸去來辭圖卷》研究 A Study of the Handscroll Tao Yuanming’s Home Again by Ma Shi, Li Zai and Xia Zhi |
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2021 |
盧冠蓁 |
從〈洛神賦全圖〉看敘事畫傳統在宋代的融合與演進 The Study of “Nymph of the Luo River” Handscroll in the Palace Museum Collection: The Evolution and Fusion of Narrative Painting Tradition in the Song Dynasty |
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2022 |
羅筠婷 |
〈大理國梵像卷〉之帝王肖像研究 The Study of the Imperial Portraits in Chang Sheng-wen’s Long Roll of Buddhist Images |
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2022 |
陳亞真 |
明代初中期福建《剪燈餘話》版畫研究 A Study on the Woodblock Illustrations of “Jian Deng Yu Hua” Published in Fujian during Early Ming Dynasty |
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2023 |
紀慕妮 |
北宋開化寺西壁報恩經變敘事畫研究 The Study of The Murals of The Baoen Jingbian on The West Wall in The Kaihua Temple of The Northern Song Dynasty |
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2023 |
孫玥 |
南宋《法華經》扉畫的敘事、構圖及稿本研究 The Narrative, Composition and Sketches Study of the Lotus Sutra Frontispieces in the Southern Song Dynasty |