Academic Year 2024/25 (Fall 2024-Spring 2025) | |||
Student | Advisor | Thesis Topic | Link |
Shiu, Rung-Shiuan | Tseng. Su-Liang | A Study of Fish-dragon Pattern in Liao and Jin Dynasty | |
Wu,You-Wei | Fukuda Miho | The Innovation of Women’s Living Spaces in the Early Showa Period: The Music Room of the Dojunkai Otsuka Women’s Apartment | |
Yu, Hsin-Tzu | Valentin Nussbaum | Arcadian Reminiscences in Jean-Baptiste-Camille Corot’s Landscape Paintings | |
Chen, Hsin-Hsiang | Chiu, Shih-hua | Landscape Paintings with Folk Customs by Scholar-court Officials of the Jiaqing Reign (1796-1820): Take Dong Gao (1740-1818) as an Example | |
Cheng, Hsin-Tien | Candida Syndikus | The Holy Family in the Work of Charles Le Brun: A Religious Theme in Seventeenth-Century France | |
Academic Year 2023/24 (Fall 2023-Spring 2024) | |||
Student | Advisor | Thesis Topic | Link |
Deng, Qin-Yue | Valentin Nussbaum | Exploring Factuality within Fictionality in the Movie Never Look Away | |
Chen, Li-Jen | Candida Syndikus | Richard Lin Show Yu’s Painting Relief | |
Huang, Mu-Ning | Candida Syndikus | The Double in the Paintings of Kees Goudzwaard: Studies on Creative Process and Form | |
Liu, Yu-han | Candida Syndikus | International Modernism in Post-War Taiwan: The Center for American Studies at Academia Sinica in Taipei | |
Zhu, Yue- Zhong | Tseng, Su-Liang | A Study of Calligraphy of Chiu Yuehhsiu in Qing Dynasty | |
Chang, Han-Yun | Tseng, Su-Liang | A Study of Christian Subject Porcelain from the 16th to the 19th Century | |
Hong, Hao-Yu | Tseng, Su-Liang | The Study of the Pop Art Phenomenon in Taiwan(1963-2024) | |
LI, Yi-Chun | Wang, Wei-Chou | Symbolizing ‘Representing China’: Architecture and characterization from the Nationalist Government to the Era of Chiang Kai-shek (1920s–1970s) | |
Chang, Ming-Yueh | Tsai, Chia-Chiu | The Study of Painting Education for Indigenous Children in Taiwan: Focusing on Ran In-Ting’s ” Art Textbook for Education”,1935 | |
Sun, Yue | Lin, Li-Chiang | The Narrative, Composition and Sketches Study of the Lotus Sutra Frontispieces in the Southern Song Dynasty | |
Chi, Mu-Ni | Lin, Li-Chiang | The Study of the Murals of the Baoen Jingbian on the West Wall in the Kaihua Temple of the Northern Song Dynasty | |
Academic Year 2022/23 (Fall 2022-Spring 2023) | |||
Student | Advisor | Thesis Topic | Link |
Chang, Yu-Ming | Tsai, Chia-Chiu | A Study on the Income and Expenditure and Art Market of Taiwanese Western Painters in Japanese Colonial Period | |
Hsu, Chao-Shang | Valentin Nussbaum | More than Staffage: Reconsidering the Meaning and Function of Hubert Robert’s Figures in Ruins | |
Lin-Ping | Valentin Nussbaum | The Untold Imagery of Family Portraits: Fiction and Reality in Andreas Mühe’s Mischpoche | |
Ko, Men-Tso | Tseng, Su-Liang | A Study of Horse Figures in the Han Dynasty–Based on the Figures of Pottery, Bronze, and Wood | |
Wang, Kai-Li | Valentin Nussbaum | Reconsidering the Scope and Significance of the Still Life Genre in Wolfgang Tillmans’s Work | |
Zhang, Yi-Huai | Tseng, Su-Liang | A Study of Wuyuezhenxingtu Pattern in mid-late Ming Dynasty | |
Yu, Tsai-Hsuan | Valentin Nussbaum | A Study on Playfulness: Li Yuan-chia’s Concept of Toyart | |
Lin, Hsin-Yi | Valentin Nussbaum | The Artist in His Studio by François Boucher and Jean-Baptiste Marie Pierre: An Approach to Pendant Paintings and the Paragone Debates | |
Academic Year 2021/22 (Fall 2021-Spring 2022) | |||
Student | Advisor | Thesis Topic | Link |
Lei, Hao-Tien | Tseng, Su-Liang | The Study of Marbled Ware in the Tang and Song Dynasty | |
Lu,Guan-Zhen | Lin, Li-Chiang | The Study of “Nymph of the Luo River” Handscroll in the Palace Museum Collection: The Evolution and Fusion of Narrative Painting Tradition in the Song Dynasty | |
Yeh, Ssu-Yu | Tsai, Chia-Chiu | The Intersection of Taiwanese Fine Arts, Design, and Bauhaus: Using Yen Shui-long’s Creation and Teaching as a Case Study | |
Lo, Yun-Ting | Lin, Li-Chiang | The Study of the Imperial Portraits in Chang Sheng-wen’s Long Roll of Buddhist Images | |
Hsu, Ding-Yun | Lai, Yu-Chih | From Qiu Ying to the “Two Zhao”：A Study of the “Two Zhao” of “Suzhou Fakes” Based on Shanglin Park Paintings | |
Chen, Ya-Chen | Lin, Li-Chiang | A Study on the Woodblock Illustrations of “Jian Deng Yu Hua” Published in Fujian during Early Ming Dynasty | |
Ho, Chiang-Chaing | Valentin Nussbaum | Intertextuality in Edward Yang’s Cinema: Authorship and Intention Reconsidered | |
Academic Year 2020/21 (Fall 2020-Spring 2021) | |||
Student | Advisor | Thesis Topic | Link |
Lai, Yi-Ju | Chang, Sheng-Ching | The Case of East Gate Circle Plaza in Hsinchu City, Combining of East Gate and Modern City Space during the Japanese ruling period | |
Yu, Ruen-Ya
| Huang, Chi-hui | The Development, Inheritance and Localization of Modern Japanese Painting in Tamsui: A Study on Kinoshita Seigai and Chen, Ching-Hui | |
Wei, Meng-Yu | Fukuda Miho | The design philosophies of Meiji-Era Japanese garden history pioneer Keijiro Ozawa | |
Kuo, Pei-shan | Lin, Li-Chiang
| The Study of the“Album of paintings after Tang Poems”by Lu Zhi | |
Chen, Ying-Chun | Tseng, Su-Liang | The Concept of “Jigu” and Fine Arts Collection from the Late Ming Dynasty to the Qing Dynasty: Focusing on the “Tang Song Yuan Minghua Daguan Ce” | |
Li, Xin | Lin, Li-Chiang | A Study of the Handscroll Tao Yuanming’s Home Again by Ma Shi, Li Zai and Xia Zhi | |
Academic Year 2019/20 (Fall 2019-Spring 2020)
Student | Advisor | Thesis Topic | Link |
Sara Aroca | Hugh Hudson | A Study of Infrared Imaging of Van Eyck Group Panel Paintings | |
Zhang, Mo | Lin, Li-Chiang | Relishing Confucian Canon: A Study on the Woodblock Illustrations in Qishier Chao Renwu Yanyi | |
Huang, Yao-Yi | Candida Syndikus | Building National Taiwan Museum (1915)- Perspectives on the West in Taiwan under Japanese Rule | |
Jiang, Tsai-Pin | Lin, Li-Chiang | The Study of “Landscapes of the Four Seasons” painting in the Hikone Castle Museum Collection: Unfolding the Development of Historical Figure Paintings of the Four Seasons in the Ming Dynasty | |
Liu, Chi-Yu | Tsai, Chia-Chiu | Art Collection of Taiwan Grand Shrine: Acquisition, Display, Cruise | |
Tong, Kai-Cheung | Lin, Li-Chiang | Research of Four Seasons Landscape Handscroll Paintings in Ming Dynasty | |
Chen, Wei-Ting | Huang Chi-Hui | The Development of Japanese and Taiwanese Natural History Painting in Modern Times and Tateishi Tetsuomi (1905-1980)’s “Miniatures” | |
Academic Year 2018/19 (Fall 2018-Spring 2019) | |||
Student | Advisor | Thesis Topic | Link |
Chu, Yu-Lin | Tseng, Su-Liang | The Study of the Narrative Decoration on the Gold and Silver Ware in the Song Dynasty (960-1279 A.D.) | |
Wang, Lo-Ya | Valentin Nussbaum | Allegory of Sight: Multiplicity and Complexity in Majewski’s The Mill and The Cross | |
Chang, Chun-Chun | Candida Syndikus | Whose Cultural Identity? Michael Graves’ Architectural Collage and the National Museum of Prehistory at Taitung | |
Jan, Pei-Yu | Fukuda Miho | Architecture of Chinese folk religion in Japan: Transformation of the Hall of Village Deity(Dojin dou) | |
Lin, Yan-Jun | Lai, Yu-Chih | “The Grand Review” and Its Relevant Studies in the Qianlong Court | |
Hsu, Shih-Min | Lin, Li-Chiang | A Study on Liu Suming‘s Achievement and the Woodblock Illustration Making in Late Ming Dynasty (17th Century) | |
Li, Tzu-Hsuan | Candida Syndikus | The Gates of National Taiwan Normal University—Historical Development and Architectural Significance | |
Huang, Hsin-Ping | Lin, Li-Chiang | A Study on the Woodblock Illustrations in Twenty-Chapter Edition of The Three Sui Quash the Demons’ Revolt | |
Academic Year 2017/18 (Fall 2017-Spring 2018) | |||
Student | Advisor | Thesis Topic | Link |
Su, Ya-Fen | Wang, Cheng-Hua | A Study on Jiang Tingxi’s Picked Beauties of Beautiful Flowers | |
Liu, Chia-Ming | Lin, Li-Chiang | The Fortune-telling Images: A Study of Narrative Technique and Iconography of Tianzhu lingqian | |
Huang, Jui-Wen | Hsu, Ya-Hwei | Reproducing Images of Ancient Bronzes in the Early 20th Century: Rong Geng’s Catalogue of Ritual Bronze Objects in the Wuying Palace | |
Shia, Victoria | Candida Syndikus | Ruins in Arcadia Studies on Thomas Cole’s Italian Landscapes | |
Liu, Yun-Feng | Tseng, Su-Liang | The Study of the Monastery’s Chigo(稚児) and Nursing Woman in Bunkacho’s(文化庁) Edition of the “Shuhanron Emaki”(酒飯論絵巻) | |
Chang, Tai-Ming | Candida Syndikus | The Narrative of John Tenniel’s Illustrations to Alice Adventures in Wonderland | |
Chiu, Tzu-Han | Tseng, Su-Liang | A Study of deer motif as an auspicious symbol from its representation in Chinese export blue and white porcelain during the Late Ming Dynasty | |
Chang, Chia-Lung | Huang, Lan-Shiang | Space intertwined with the concepts of health: Architectural study of the Taihoku Hospital in Japanese Colonial Period |
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Lai, Chia-Wei | Lai, Yu-Chih | A Study on “The Collected Essentials of Ink-making Methods” (Mo fa ji yao tu shuo) by Xu Yang (1712-1779) | |
Academic Year 2016/17 (Fall 2016-Spring 2017) | |||
Student | Advisor | Thesis Topic | Link |
Liu, An-Ni | Tseng, Su-Liang | A Study on Qi Baishi’s Bird-and-flower Paintings | |
Lin, Chia-Yu | Tseng, Su-Liang | New Style of the Shanghai Painting School in the First Part of the 20th Century—A Study of the Ink Paintings by Tao Leng Yue | |
Tsao, Yung-Ching | Valentin Nussbaum | High Tension: Aestheticizing Drama in Sir William Quiller Orchardson’s The First Cloud | |
Chen, Li-Ting | Tzeng, Shai-Shu | Plant Motifs in the Formation of Charles Rennie Mackintosh’s Architectural Ornament | |
Lee, Nian-Chieh | Tzeng, Shai-Shu | The Study on the Western Origin of Taipei Park’s Design and its Spatial Construct During the Japanese Colonial Period | |
Hu, Hsin-Yueh | Valentin Nussbaum | Images in Transition: Redefining the Illustrated Book in Badauderies Parisiennes—Les Rassemblements | |
Ku, Yi-Chieh | Tsai, Chia-Chiu | The Study of Chen Cheng-Po’s Nude Painting | |
Sun, Yung-Chen | Tzeng, Shai-Shu | Melancholia Reimagined: Iconography and Paintings in Lars von Trier’s Melancholia (2011) | |
Academic Year 2015/16 (Fall 2015-Spring 2016) | |||
Student | Advisor | Thesis Topic | Link |
Insignares, Karen | Valentin Nussbaum | An Artist Witnessing the Concentration Camps: Testimony and Artistic Expression in the Works of Jan Komski | |
Huang, Shu-Lin | Valentin Nussbaum | Sherlock Holmes Incarnate: Sidney Paget’s Holmesian Illustrations for the Strand Magazine | |
Chuang, Min-Chuan | Lin, Li-Chiang | The Study of You Chiu’s Figure Paintings | |
Yen, Tzu-Hsuan | Wang, Cheng-Hua | A Study on Yuan Jiang’s Chieh-hua: Focusing on the Multipaneled Screen Paintings | |
Lien, Zi-xuan | Tzeng, Shai-Shu | The Paintings of Inside-Painted Snuff Bottles in the Qing Dynasty | |
Chang, Han-Hsin | Wang, Cheng-Hua | Wen Boren’s Eighteen Scenes of Jinling: Shaping the Images of Nanjing | |
Huang, Sheng-Fei | Tzeng, Shai-Shu | A Study of Pattern of “Lotus Pond with Birds” on the Blue and White Porcelain in the Yuan Dynasty | |
TU, ELMER | Candida Syndikus | Hans Memling’s Tanners’ Altarpiece Iconography, Pictorial Space and Narrative Structure | |
Li, Deih-yi | Valentin Nussbaum | Flânerie and the Phantasmagoria in Jacques Tati’s Playtime (1967) | |
Academic Year 2014/15 (Fall 2014-Spring 2015) | |||
Student | Student | Student | Student |
Lu, Lu-Yen | Candida Syndikus | Auf welsche Manier: The Reception of Italian Architecture at the Neue Bau in Augsburg (1614) | |
Chang Yun | Wang, Cheng-Hua | Wang Yuanqi’s Ten Views of West Lake: Topographic Landscapes in the Orthodox School of the Early Qing Dynasty and Their Political Significances | |
Jan, Nai-Yu | Candida Syndikus | Gustave Caillebotte’s Paintings in 1875–77 and the Works’ Artistic Reception | |
Huang, Tzu-En | Fukuda Miho | Huizong’s Extended Prosperity Palace : through the analysis of Qu Yan | |
Fan, Jhan-Ling | Tseng, Su-Liang | The Study of “Mother and Child” Motif on Painted Enamels at the Ch’ing Court in the Reign of Qianlong | |
Chen, Chi-Yin | Valentin Nussbaum | Mind Mapping and Storyboarding in Christopher Nolan’s Memento (2000) | |
Chueh ,Yu-Tung | Lin, Li-Chiang | The Study of Chang Mang-Cheng “Chinglou yunyu” | |
Basan Kuberlinov | Candida Syndikus | The House of Soviets in Elista: Russian Constructivism and the Process of the Construction of Socialist Society | |
Wu, Chia-Yen | Wang, Cheng-Hua | Dong Bangda and Topographic Landscapes of Qianlong Inspection Tours: Focusing on the Paintings of Mount Pan | |
Yang, Li-Ying | Huang, Lang-Siang | The Impact of Central Axial Disposition on Campus Planning among High Educational Institution after Postwar Taiwan：The Preliminary Research on Forming the Paradigm | |
Wu, Pin-Hui | Candida Syndikus | Between Nature and Religion: Titian’s First Essay in Colour by William Dyce | |
Lin, Wen-Yin | Fukuda Miho | The Ritual Space in the Heian Palace during the Heian Period: A Study on the Ritual Book Jogan Gishiki | |
Academic Year 2013/14 (Fall 2013-Spring 2014) | |||
Student | Student | Student | Student |
Wu, Fu-An | Valentin Nussbaum | The Time Machine and the Deconstruction of Time in Cindy Sherman’s History Portraits and Yasumasa Morimura’s Art History | |
Huang, Ping-Hsun | Tseng, Su-Liang | A Study of Battle-Pieces by Laing Yu-Ming before 1949 | |
Wang Ming-yu | Wang, Cheng-Hua | The Album of Momiao zhulin and the Codification of Han Cultural Tradition at the court of the Early Qianlong Period | |
Academic Year 2012/13 (Fall 2012-Spring 2013) | |||
Student | Student | Student | Student |
Tung, Peng | Wang, Cheng-Hua | The Study of Jiao Bingzhen’s Gentlewoman Paintings | |
Wu, I-Hsiu | Fukuda Miho | Differences of Pagodas Between North and South China from 5th to 6th Century with a Focus on “Ch’a” | |
Wu, Wen-Wei | Valentin Nussbaum | Research on The New City of Feng in National Palace Museum | |
Cheng, Ting-Ting | Lin, Li-Chiang | A Study on the Woodblock Illustrations in Shilin Jushi’s Edition of Peony Pavilion | |
Lin, Ya-Wen | Valentin Nussbaum | A Fellowship of Pictorial Dialogue: Maurice Denis’ Hommage à Cézanne | |
Hsieh, Pei-Chun | Valentin Nussbaum | Fantastic Picture: Jeff Wall’s Art of Hesitation | |
Huang, Chin-Chia | Tseng, Su-Liang | The Black-glazed Tea Bowls of the Jiang-Yang Ware in the Song Dynasty | |
Huang, Hsin-I | Wang, Cheng-Hua | Jin Kun’s Poetic Thoughts on Birds: Political Intentions and the Self-Presentation of Prince Bao (Hongli) | |
Academic Year 2011/12 (Fall 2011-Spring 2012) | |||
Student | Student | Student | Student |
Wang, Ming-Yen | Tseng, Su-Liang | A Study on Ornament of Blue and White Porcelains of the Joseon Royal Kiln in the 15th and 16th Century | |
Hsiao, Yi-Shan | Tseng, Su-Liang | Formosa, Flowers and Scenery–A Study of the “Pictures of famous flowers of Taiwan” and the “Twelve pictures of Taipei famous places” by Gobara Koto (1887-1965) | |